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One of my favourite Anti-Vietnam Movies is definately "Apocalypse Now" by Coppola, filmed in Cambodia in 1976-79. Despite dreadful and sarcastic visions of war, this movies comprises everything which makes up a great masterpiece of filmmaking. Even listening to the Doors' tune "The End" you instantly connect it with the movie. There are some scenes which are wonderful lit and shot, as if a painter seeks out the right coloring and perspective. I combined some elements of different scenes and made a kind of cut-up collage and visualized Brando's monologue about a snail crossing a sharp razor blade. All in all this paintings suggests deep analysis and re-creates an atmosphere of power and passion.
One of my favourite Anti-Vietnam Movies is definately "Apocalypse Now" by Coppola, filmed in Cambodia in 1976-79. Despite dreadful and sarcastic visions of war, this movies comprises everything which makes up a great masterpiece of filmmaking. Even listening to the Doors' tune "The End" you instantly connect it with the movie. There are some scenes which are wonderful lit and shot, as if a painter seeks out the right coloring and perspective. I combined some elements of different scenes and made a kind of cut-up collage and visualized Brando's monologue about a snail crossing a sharp razor blade. All in all this paintings suggests deep analysis and re-creates an atmosphere of power and passion.
One of my favourite Anti-Vietnam Movies is definately "Apocalypse Now" by Coppola, filmed in Cambodia in 1976-79. Despite dreadful and sarcastic visions of war, this movies comprises everything which makes up a great masterpiece of filmmaking. Even listening to the Doors' tune "The End" you instantly connect it with the movie. There are some scenes which are wonderful lit and shot, as if a painter seeks out the right coloring and perspective. I combined some elements of different scenes and made a kind of cut-up collage and visualized Brando's monologue about a snail crossing a sharp razor blade. All in all this paintings suggests deep analysis and re-creates an atmosphere of power and passion.
One of my favourite Anti-Vietnam Movies is definately "Apocalypse Now" by Coppola, filmed in Cambodia in 1976-79. Despite dreadful and sarcastic visions of war, this movies comprises everything which makes up a great masterpiece of filmmaking. Even listening to the Doors' tune "The End" you instantly connect it with the movie. There are some scenes which are wonderful lit and shot, as if a painter seeks out the right coloring and perspective. I combined some elements of different scenes and made a kind of cut-up collage and visualized Brando's monologue about a snail crossing a sharp razor blade. All in all this paintings suggests deep analysis and re-creates an atmosphere of power and passion.
One of my favourite Anti-Vietnam Movies is definately "Apocalypse Now" by Coppola, filmed in Cambodia in 1976-79. Despite dreadful and sarcastic visions of war, this movies comprises everything which makes up a great masterpiece of filmmaking. Even listening to the Doors' tune "The End" you instantly connect it with the movie. There are some scenes which are wonderful lit and shot, as if a painter seeks out the right coloring and perspective. I combined some elements of different scenes and made a kind of cut-up collage and visualized Brando's monologue about a snail crossing a sharp razor blade. All in all this paintings suggests deep analysis and re-creates an atmosphere of power and passion.
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Apocalpyse Now - I watched a snail... Painting

Benjamin Ortleb

Germany

Painting, Oil on Canvas

Size: 47 W x 39 H x 0.6 D in

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About The Artwork

One of my favourite Anti-Vietnam Movies is definately "Apocalypse Now" by Coppola, filmed in Cambodia in 1976-79. Despite dreadful and sarcastic visions of war, this movies comprises everything which makes up a great masterpiece of filmmaking. Even listening to the Doors' tune "The End" you instantly connect it with the movie. There are some scenes which are wonderful lit and shot, as if a painter seeks out the right coloring and perspective. I combined some elements of different scenes and made a kind of cut-up collage and visualized Brando's monologue about a snail crossing a sharp razor blade. All in all this paintings suggests deep analysis and re-creates an atmosphere of power and passion.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:47 W x 39 H x 0.6 D in

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I was born in 1965 in Berlin. At the age of 15 I started painting seriously and had my first exhibition two years later in the Berliner Philharmonie. I went to nude painting in class of Andre Bednarczik in Berlin, spent a month in Salzburg at the Sommerakademie to start lithography, graduated as a graphic-designer in 1991, became a webmaster in 2000 and made my MA at the University of the Arts in Berlin ("Institute of Art in Context). Since 1998 Im also working as an art-workshop teacher in private schools and youth facilites. I am a member of the Japan-Germany Contemporary Fine Arts Exchange Association led by Sohachi Shimomisse in Kyoto and also of the BVBK (Brandenburger Verband Bildender Knstler)I live and work as an Art teacher, freelance artist, graphic/webdesigner and musician in Kleinmachnow, Brandenburg Germany.The year of generating images on the computer was the initial spark to use them as templates for large scale paintings. What Im using now are stills, fragments and press photos from newspapers, books and movies. The conceptual idea is to take a closer look on violence and catastrophes and transfer them into a new aesthetic surrounding where the actual scenes of horror and fear are mixed with fascination. Changes in colour, partly achieved through polarized effects, gradations, complementary colours and shades of monochromes, give way to emphasize the relation between content und realities.

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