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Argonautica Fleece at the End of the World Painting

Roger Williamson

United States

Painting, Oil on Canvas

Size: 48 W x 48 H x 2 D in

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About The Artwork

Argonautica Four: Fleece at the End of the World Oil and gold dust on wood, 48 inches by 48 inches, 2014 Inspired by The Argonautica written down by Apollonius Rhodius Panel four of a four panel series. First exhibited at Paganicon 2014, Minneapolis, Mn., where it was awarded Best In Show. Symbolic of the Sun re-entering Aries and returning life to the world. There is another interpretation described by Strabo "It is said that in their country gold is carried down by the mountain torrents, and that the barbarians obtain it by means of perforated troughs and fleecy skins, and that this is the origin of the myth of the golden fleece".

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:48 W x 48 H x 2 D in

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Roger Williamson is a visual artist, residing and creating in Minneapolis Minnesota. Born in Loughborough, England, in 1947 and growing up in Coventry he was inspired from an early age by the French Symbolist painters of late nineteenth century France, These artistic influences, in conjunction with his own esoteric upbringing and practical experiences of magick, mythology and dream control, form the matrix, a collective oeuvre upon which his paintings and writings are an extension. Using diverse creative media, whether painting or writing books, Williamson endeavors to develop techniques that materialize the sensuous dreaming experience into the language of the waking world. Aspiring to reintroduce mystery and ambiguity back into the adventure of human existence through the creative process, encouraging artistic audiences towards "living effulgent and invigorating lives, revitalized from the secretions of our subconscious." Roger Williamson is the creator of Tarot of the Morning Star deck and the author of The Sun at Night. Statement Art is an externalization of struggle to rationalize and give form to something not understood. The artist, like the oyster, is driven to externalize this conflict into the image of a pearl. I believe art should be appreciated through a viewer's individual intercourse with the work, allowing the image to speak for itself and not be prejudged by societies academic paradigms. This concept has close parallels to techniques first acquired in childhood, such as the ability to stare at clouds and see recognizable images arise and fall in the mind’s eye out of what initially was perceived as chaos. Through this technique, letting a work speak to a deeper self than the superficial mind involves the viewer in the creative process, their imagination evolves the artwork to another level. The work is no longer stationary but part of a wave as is nature herself.

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