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Atropos and the Apple Painting

Jay Hurst

United Kingdom

Painting, Oil on Paper

Size: 27.5 W x 38.5 H x 3 D in

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About The Artwork

There were many technical challenges to overcome in the making of this piece, probably my finest work to date. Not the least of these difficulties lay in making the outer frame, an essential component of the artwork itself, and which had to match the painted tromp-loeil inner frames. The wood was cut from a large, fresh-fallen, willow limb and of course, being unseasoned, the wood curved alarmingly upon cutting, something to be avoided usually, but here it gives the frame a remarkable concave appearance when viewed from either side. A powerful illusion of depth leads the eye to believe that this is not a painting at all, but in fact the threshold to some impossible space. A friend turned up at the studio one day, visibly excited about something and revealed a deer skull he'd brought back from the Lake District. What an amazing object! I immediately set to work drawing and painting it. The wooden inner frames were derived from some off-cuts of a picture frame I'd made the year before. I'd kept them around because I liked the texture of the bark. As this painting picture began to take shape, my girlfriend was roped in to pose for a couple of sessions, which was all I needed to render the hand and arm. She nearly fainted from having to stand still for a couple of hours!

Details & Dimensions

Painting:Oil on Paper

Original:One-of-a-kind Artwork

Size:27.5 W x 38.5 H x 3 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Painting crept up on me while I was busy doing other things. Not that I haven’t been drawing and making things as far back as I can recall, I have. It found me early on but seemed to wander off again. Much as I meandered away from my art education, much as I lost all sense of why I became an illustrator. A painting finds me as if stalking something else beyond my view. I’m seized by it and almost always surprised by what it becomes. I rarely employ a formula. Every piece determines the method of its creation and each tends to develop organically, everything in flux until the last moment.

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