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BLABLA Color Range 03 Painting

Francesco Alpigiano

Italy

Painting, Acrylic on Paper

Size: 19.7 W x 19.7 H x 0.1 D in

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Originally listed for $2,710
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About The Artwork

BLABLA COLOR RANGE Blabla, (an onomatopoeic expression, of international use, to indicate a speech or a vain chatter, without a construct), a conventional symbol of appearance, of outward behavior, a reflected expression of technological and digital progress. The series of bas-reliefs “BLABLA Color Range” is part of a homogeneous series of elements with similar thematic sequences, chromatic variations and narrative unity. The constant that derives from this is the logical / rational interpretation of the same stereotypical concept: BLABLA-Lexical decomposition of the futile and the banal. Title: BLABLA Color Range 03 Technique: Bas-relief, mixed technique on wood, solid beech frame Bas-relief size: cm. 50 x 50 x 4.5 Size with frame: cm. 58 x 58 x 6 Year: 2021 Weight: Kg 6,5 BLABLA COLOR RANGE Blabla, (espressione onomatopeica, di uso internazionale, per indicare un discorso o un chiacchiericcio vano, senza costrutto), simbolo convenzionale dell’apparenza, del comportamento esteriore, espressione riflessa del progresso tecnologico e digitale. La serie di bassorilevi “BLABLA Color Range” fa parte di una serie omogenea di elementi con analoghe sequenze tematiche, variazioni cromatiche e unità narrativa. La costante che ne deriva è l’interpretazione logica/razionale dello stesso concetto steretipato: BLABLA-Decomposizione lessicale del futile e del banale. Titolo: BLABLA Color Range 03 Tecnica: Bassorilievo, tecnica mista su legno, cornice in faggio massello Dimensione bassorilevo: cm. 50 x 50 x 4,5 Dimensione con cornice: cm. 58 x 58 x 6 Anno: 2021 Peso: Kg 6,5

Details & Dimensions

Painting:Acrylic on Paper

Original:One-of-a-kind Artwork

Size:19.7 W x 19.7 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

He began his training as an advertising graphic taking care of the image of the musical and cultural events of various associations of his city Nuoro. At the same time he began his artistic career experimenting pictorial techniques on alphanumeric typographic language. What interests him are some of the printing methods and in particular the typographic technique of the "relief form composed of movable type" (type), from which it draws inspiration; inspiration that begins to manifest itself in the works presented at the first national exhibition in which it participates, "Artefiera" of 1992 in Florence. His work is also appreciated by critics who recognize the award as the best young person under 25. The remarkable confirmation and the conceptual impact of pictorial representations of the symbols commonly called Type, had, and has, a primary importance in the symbolic research of the creative path elaborated by the artist in the following years. The method "Gutemberg - universal and primordial symbol of mass communication not only in the dissemination of culture, but also in the social and civil formation of peoples and in the progress of communication itself - is contextualized and used in pictorial representation, as a universal idiom of visual communication : the Type graphic sign evokes the immediate visual link between the object in its materiality (graphic sign engraved on a wooden parallelepiped) and its pictorial representation, which becomes the basis of global visual communication. In the work TypeCity, engobed red-clay bas-relief, created in 2003 and presented at the most important ceramics competition in Sardinia, the letters and numbers give a peculiar physiognomy to the work that takes on its characteristic alphanumeric code through the use of multiple characters types of different sizes and shapes which alternate and follow one another, in an absolutely random order, but in perfect compositional balance. Recent example of the use of Type is given by the pictorial series "Letters" started in 2008 with progressive numbering 01-236 and still in progress today. The fundamental step that broadens the cultural and artistic path of Francesco Alpigiano takes place in 1999 with the winning of the sculpture competition organized by the Costantino Nivola Foundation.

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