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Framed
Abstract expressionism painted on 12"x12" cardboard and framed (not pictured). Painting was my last one done in 2015.

A personal favorite of mine for its simplicity yet what it continuously does. Once again black, red, white are the prominent color choices but instead of using a yellow, I opted for a gold.

Painted against a piece of cardboard, the gold actually camouflages with the surface. When looked at an angle, or if light catches it just right, the gold really pops out and glistens, giving added life to this painting.
Abstract expressionism painted on 12"x12" cardboard and framed (not pictured). Painting was my last one done in 2015.

A personal favorite of mine for its simplicity yet what it continuously does. Once again black, red, white are the prominent color choices but instead of using a yellow, I opted for a gold.

Painted against a piece of cardboard, the gold actually camouflages with the surface. When looked at an angle, or if light catches it just right, the gold really pops out and glistens, giving added life to this painting.
Abstract expressionism painted on 12"x12" cardboard and framed (not pictured). Painting was my last one done in 2015.

A personal favorite of mine for its simplicity yet what it continuously does. Once again black, red, white are the prominent color choices but instead of using a yellow, I opted for a gold.

Painted against a piece of cardboard, the gold actually camouflages with the surface. When looked at an angle, or if light catches it just right, the gold really pops out and glistens, giving added life to this painting.
Abstract expressionism painted on 12"x12" cardboard and framed (not pictured). Painting was my last one done in 2015.

A personal favorite of mine for its simplicity yet what it continuously does. Once again black, red, white are the prominent color choices but instead of using a yellow, I opted for a gold.

Painted against a piece of cardboard, the gold actually camouflages with the surface. When looked at an angle, or if light catches it just right, the gold really pops out and glistens, giving added life to this painting.
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VIEW IN MY ROOM

Black and White with Red and Gold Painting

Robert Chambers

United States

Painting, Acrylic on Cardboard

Size: 12 W x 12 H x 1 D in

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SOLD
Originally listed for $495
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1148 Views
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About The Artwork

Abstract expressionism painted on 12"x12" cardboard and framed (not pictured). Painting was my last one done in 2015. A personal favorite of mine for its simplicity yet what it continuously does. Once again black, red, white are the prominent color choices but instead of using a yellow, I opted for a gold. Painted against a piece of cardboard, the gold actually camouflages with the surface. When looked at an angle, or if light catches it just right, the gold really pops out and glistens, giving added life to this painting.

Details & Dimensions

Painting:Acrylic on Cardboard

Original:One-of-a-kind Artwork

Size:12 W x 12 H x 1 D in

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When it comes to my art, I can’t tell you how to look at it. All I can tell you is that each painting is an extension of myself as they are autobiographical in nature. I am not trying to make any particular statement with my work -- I am just existing in the here and now. I believe that something inside of you is always telling a story and art is the way to service the subconscious; to make something physically come into being that is inspired by emotions or needs. I don’t know what painting teaches me. I just know that it frees me – free from the future, free from the past, free from regret, and free from worry. I have always enjoyed all things behind-the-scenes in any artistic genre be it film, sculpture, theatre, painting. The journey one takes as they explore the creative process has always fascinated me; starting out with an idea and through the trials and errors along with the unexpected twists and turns that occur to ultimately arrive at what becomes the final product. I have discovered that through this process, my painting starts to take on a life of its own and tells me what it wants to be. That is where the titles, if the painting has one, come from – that symbiotic relationship between the art and artist and ultimately the viewer and the journey to get here.

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