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BLUE LAGOON Painting

Karma Kitaj

United States

Painting, Wax on Other

Size: 18 W x 10 H x 2 D in

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$980

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About The Artwork

This piece is influenced by my attraction to the work of Richard Diebenkorn and also Mexican-based artist Ezshwan Winding, with whom I studied in San Miguel de Allende.The diptych is meant to be displayed abutting one another or with a slight opening. The bottom is textured shades of aqua blue, resembling pebbles in the water. The next layer above is a horizontal strip of black filigreed burnt shellac showing some cream beneath it. The upper layer, above the horizon is shades of gold and burnt umber, with more burnt shellac, suggesting a darkening sky. I painted this in the ancient technique of encaustic (goes back to 5th C. BC), which means to “burn in.” First, I painted the surface of archival Encaustic Bord with gesso to create a smooth surface for the wax. Then I applied layers of hot beeswax mixed with a hardening agent called damar resin. Then I heat each layer with a heat gun or torch to adhere it to the layer beneath it. For this piece, I applied black pigmented shellac (made with dry pigment mixed with clear shellac), then painted it on the wax surface. After it gets “ripe,” within 20 minutes, I use a torch at a very low flame to create the filigreed surfaces on the painting. Encaustic paintings tend to get dull but with a rub using the heel of your hand, the original waxy luster is restored. This is ready to hang in an intimate spot with other small pieces of original art, perhaps from my collection.

Details & Dimensions

Multi-paneled Painting:Wax on Other

Original:One-of-a-kind Artwork

Size:18 W x 10 H x 2 D in

Number of Panels:2

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Making art is an encore career for me. Years ago when I hosted a community access TV show called “Alivelihood:New Adventures As We Age,” I interviewed an artist who had been a German professor. She invited me to her art studio. I loved painting and collaging with her immediately and never stopped painting. Soon I discovered the ancient , now popular medium of encaustic, hot pigmented wax, and was enraptured with the possibilities. I studied with many sterling artists learning to make mono prints and paintings with the wax and a torch to burn each layer to the one beneath. I attended workshops at the International Encaustic Conference in Provincetown each spring. Next, I added acrylic and mixed media to my repertoire. My most recent paintings are created with oil mixed with cold wax and sometimes a medium to increase flow and transparency. The subject matter that intrigues me lately is painting the abstracted, distorted human figure, often with backgrounds depicting a fantasy room or landscape. My life outside of art encompasses many wonderful things: living in the country in Massachusetts with my husband of 40+ years and 2 adorable rescue dogs from Mexico, dancing Argentinian tango and studying with one of the world's most accomplished teachers, still riding my horse a little bit, wintering in San Miguel de Allende, MX to name a few.

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