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Brave new world (part two) has a predecessor Brave new world (one). The title of both works based on a dystopian science fiction novel from Aldous Huxley (1932). In part one of my Brave new world paintings, a young boy desires to battle for all he's worth. Dressed in his oversized Superman outfit he seems overwhelmed and overshadowed by his own enlarged shadow. In (part two) we see the adolescent Superman. His outfit, now sharp as a razor blade but his mind is numb. He cannot come to rescue. His world is falling apart but it escapes his observation completely. He has other obligations to his virtual social community.
Brave new world (part two) has a predecessor Brave new world (one). The title of both works based on a dystopian science fiction novel from Aldous Huxley (1932). In part one of my Brave new world paintings, a young boy desires to battle for all he's worth. Dressed in his oversized Superman outfit he seems overwhelmed and overshadowed by his own enlarged shadow. In (part two) we see the adolescent Superman. His outfit, now sharp as a razor blade but his mind is numb. He cannot come to rescue. His world is falling apart but it escapes his observation completely. He has other obligations to his virtual social community.
Brave new world (part two) has a predecessor Brave new world (one). The title of both works based on a dystopian science fiction novel from Aldous Huxley (1932). In part one of my Brave new world paintings, a young boy desires to battle for all he's worth. Dressed in his oversized Superman outfit he seems overwhelmed and overshadowed by his own enlarged shadow. In (part two) we see the adolescent Superman. His outfit, now sharp as a razor blade but his mind is numb. He cannot come to rescue. His world is falling apart but it escapes his observation completely. He has other obligations to his virtual social community.
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Brave New Wold (part two) Painting

Marit Otto

Netherlands

Painting, Acrylic on Canvas

Size: 45.3 W x 29.5 H x 5.9 D in

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About The Artwork

Brave new world (part two) has a predecessor Brave new world (one). The title of both works based on a dystopian science fiction novel from Aldous Huxley (1932). In part one of my Brave new world paintings, a young boy desires to battle for all he's worth. Dressed in his oversized Superman outfit he seems overwhelmed and overshadowed by his own enlarged shadow. In (part two) we see the adolescent Superman. His outfit, now sharp as a razor blade but his mind is numb. He cannot come to rescue. His world is falling apart but it escapes his observation completely. He has other obligations to his virtual social community.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:45.3 W x 29.5 H x 5.9 D in

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I can experience art on many levels and in many different ways. Then I look for aesthetics and eloquence but also for a particular angle. I make contemporary engaged art. It has a certain urgency. It is reflecting us, people and the zeitgeist. Images speak louder than words and basically appeal very directly to our feelings. My images are something of a mix between activism and philosophy, they want to engage in dialogue.” I am born in Hoorn (NH) (1970) and have been working as a visual artist since 1994. My studio is located at the Rieteweg 10 in Zwolle. I am a multidisciplinary artist. My autonomous work includes painting, collage, installation, digital art, photo manipulation, video art and 3d. I also work on commission and on a project basis. Typical for my autonomous work is the key role for man in its shape and behaviour. It is often a reflection of current social themes, but also mundane and personal issues are important sources of inspiration. Through small interventions, repetitions, inversions, or breaking surfaces with architectural forms, a new image is created in a somewhat familiar image. Although my work can be seen as aesthetic, it often conceals certain uneasiness, abrasive aesthetics. This duality or ambiguity is also a recurring theme. Do you see what you see? The resulting images are often on the cutting edge of fiction, realism, graphic and plastic. Contemporary (sur)realist?- My work cannot be placed in a tradition or movement. There are certainly surrealistic elements in my work and occasionally some abstraction, but in terms of style I draw from (contemporary) realism. Until now, I have been able to express myself best in the figurative, although I do not rule out anything for the future. As far as I am concerned, art is fluid and and artist never stop evolving. I do not wish to limit myself, neither to a medium, nor to autonomous art. I see myself much more as a conduit of concepts and ideas. Often my ideas are interspersed with philosophical questions and/or social themes that occupy me. I therefore sometimes set myself the task of casting these in project form, if only within the limitations of visual art. This has resulted in a number of projects varying from social to future-oriented.

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