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the lightness of the falls in white ink lines against the faceted top edge of the cliffs
At the base the constant falling water and mist rounds the rocks so different to the facets above.
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Bridal Veil, where the rock fell Painting

Boyd McMillan

Australia

Painting, Ink on Paper

Size: 26 W x 40 H x 0.1 D in

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Originally listed for $1,310
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About The Artwork

Bridal Veil falls comes down in sheets that appear like water veils as they blow around in the wind. I was sitting on the rocks below the fall drawing the water as it fell in sheets with the cliff leaning forward above me. I moved back in respect and started a new drawing from a larger boulder some way back. As i drew i heard a loud crack followed by a percussive boom as a boulder calved away from the cliff an exploded onto the rocks i had been sitting on earlier. I want to evoke the unbalanced sense of the faceted cliffs with the lightness of the falls as they make the long journey down.

Details & Dimensions

Painting:Ink on Paper

Original:One-of-a-kind Artwork

Size:26 W x 40 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in Melbourne, Australia and lived in all states of the east coast. I have continued a dual career as artist and landscape architect. I work in painting and drawing, pastels and sculpture. My artwork is a direct response to the experience and emotion of bush walking and my personal study of other artists’ practise and philosophy. The ink drawings are the most direct and reflect the initial reaction to the bush. I have developed a lifestyle of frequently walking in natural areas. The drawings help me to more fully experience and describe my response to places, their rhythms and the rocks and the plants and animals found in them. Scale and point of view is important in my interpretation of the landscape how monumental scale, perspective and point of view influences to experience of the landscape. The use of ink drawn with found objects assists in establishing direct and unpredictable marks to build on using ink wash and watercolour. Most work has a substantial base outdoors and is finished in the studio. I enjoy the subtlety and strength of ink and the direct colour of pastel and watercolour. Sculpture is developed intuitively from the from these experiences and as a way of exploring conceptual ideas about change.

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