Button squirter to Asphodel Meadows is a HAIL STONE. Painting

The Asphodel Meadows is a dark part of the Ancient Greek underworld where ordinary souls were sent to live after death. Homer is the most probable source for the English poetic tradition of describing the meadows of the afterlife as being covered in Asphodel. In the translation by W. H. D. Rouse, the passage in question (from The Odyssey, Book 11) is rendered "the ghost of clean-heeled Achilles marched away with long steps over the meadow of asphodel." In Book 24 in the same translation, the souls of the dead "came to the Meadow of Asphodel where abide the souls and phantoms of those whose work is done. Homer describes the experience of the dead souls and relates the meadow to its surroundings in these books and in Circe's brief description at the end of Book 10. Asphodel flowers growing in the underworld is an idea that may predate Homer's writings, reflecting the influence of Minoan and Egyptian cultures whose afterlife was generally bright and fertile. Since the weird flower was highly regarded throughout the ancient world it appears to have preserved its traditional positive role in the Greek afterlife. However Homer's meadows are not the place of perfect beauty they would become for post-Renaissance romantic English poets. In the Odyssey, the hero Odysseus sails to the very edge of the earth, beyond the place where Dawn rises (Odyssey 12.3), in that foggy place the sun never shines. There he sees a grove of trees, the junction of two rivers and a meadow of Asphodel. This landscape perhaps predates the Odyssey and would have identified to the readers that this is the gateway to the underworld. The description of existence in the meadows is disturbing "The dead approach him in swarms, unable to speak unless animated by the blood of the animals he slays. Without blood they are witless, without activity, without pleasure and without future". Only the ghost of the semi divine Teiresias is permitted by Persephone to retain the power to think independently, the rest "flit like shadows". Other references in the Odyssey to the meadows include the passage at 11.573 where the spirit of the hunter Orion herds together the spirits of his prey “through the Asphodel meadow”, and the spirits of the slaughtered suitors arrive, squeaking like bats in a cave, "at the Asphodel meadow"

Multi-paneled Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:15.7 W x 27.6 H x 1.2 D in

Number of Panels:2

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