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Painting, Oil on Canvas
Size: 51.2 W x 38.1 H x 1 D in
Ships in a Crate
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I simply allowed the color itself to move freely in this painting. By using stick oil bar and paint at the same time, the space was organized to make it more busy. I always imagine a space, and this picture also expresses a scene in my memory. The clear sky and the holy air surround a village and try to inspire joyful energy. This painting stands out in light blue and yellow. In my paintings, I feel a difficult process as well as enjoyment. I think happiness is an emotion that disappears sooner and the sooner it passes, the more intense it is. It resembles Joan Mitchell a lot, but differs in that it is more willing and combative than Joan Mitchell's brushstrokes. Although I was influenced by Frank Auerbach , I am different in that the process of struggle is not hidden in the paintings but is revealed.
Painting:Oil on Canvas
Size:51.2 W x 38.1 H x 1 D in
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:South Korea.
" Noble simplicity and Great silence imply history and existence. I'm constantly digging for that quiet place. " I was born in Seoul and have loved drawing since I was a child, so I honed my skills in representation, perspective and depiction for a long time. I majored in Western painting at Sungshin Women's University in Korea and went to graduate school to specialize in painting. For two years, I imitated the light of Post-Impressionism and gradually developed into abstract painting. While attending graduate school, I copied or studied Bonnard, Monet, Kandinsky, and Bartok (music). Then, I am convinced that I have to go with pure formative beauty until now, and as a philosophical approach, I am working with a baroque exaggeration and continuity as well as an exploration of what human play is fundamentally. I want to talk about human freedom with tension orchestrated around a few bold actions while being conscious of off-screen. The gesture of my brush in the painting is a part of my baroque taste, as if one day, I painted it as if I was longing for a dramatic connection between the past and the current event. In the middle, I came to associate a landscape with clarity and boundaries, and the landscape tried to become a piece of music by arranging and connecting accumulated memories on a flat surface with colors. https://www.lydia-lee.com/
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