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Cherry Blossom Reflections Painting by C Dodd
Cherry Blossom Reflections painting by C Dodd
Cherry Blossom Reflections painting by C Dodd
Cherry Blossom Reflections painting by C Dodd
Cherry Blossom Reflections painting by C Dodd
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Pink Blossom Painting

Christian Dodd

United Kingdom

Painting, Oil on Canvas

Size: 40 W x 30 H x 1.5 D in

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About The Artwork

IPart of a series of pieces that explore interplay between reality and abstraction through the medium of reflected images. In this particular piece, cherry blossom are reflected in the randomly crumpled reflective surface. In representing a natural scene reflected in a contorted reflective surface this piece is concerned with the balance between figuration and abstraction. This series of works explores fascination with reflective surfaces and the pareidolic tendencies of observers to see in this random image shapes and figures as part of their natural desire to resolve the ambiguous composition. In pursuit of a partially abstracted outcome I limit the resolution and detail through the use of a medium size brush which results in a piece not photorealistic and clearly displaying the hand of the artist. This creates impressionistic surfaces of curvaceous and flowing shapes often 'led by the brush' which are at odds with the jagged and angular surface depicted.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:40 W x 30 H x 1.5 D in

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I've explored many subjects over my thirty year practice but my current focus centres around multi-panelled pieces inspired by the mechanics of slide puzzles. In these palimpsest works, I apply multiple layers of images, marks and patterns so that they occupy the same composition but in different states, allowing images and motifs to undergo a transformative process between each layer. This method becomes a metaphor for exploring the intricacies of incompatibility or inevitability and can be disconcertingly jarring or consistently reaffirming dependent upon the work. The deliberate scattering and breaking of images, motifs and symbols allows me to explore many different ideas within a single compositional style and is, for me as an artist, a breakthrough in addressing the disorder and confusion I see in myself and the world around me. Alongside the multi-panelled pieces, I engage in the abstraction of complex subjects in my paintings. By deliberately introducing complexity and then allowing it to evolve into abstraction through the reductive process of painting, I seek to evoke pareidolic reactions from viewers — a reminder of our innate human tendency to find meaning in the seemingly abstract and unfamiliar.

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