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"Color Field #8" Painting

→ John Spears, United States

Painting, Acrylic on Canvas

84 W x 50 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$9,950

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Artist Recognition

ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


Another wonderful example of how the silk screen can be used to create unique images. The simple approach of using the blank screen as the vehicle to render images such as the Color Field series . This was a painting that was done numerous times both vertically and horizontal on black canvas.

Year Created:

2015

Subject:

Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

84 W x 50 H x 2 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Contact us.

Need more information?

Contact us.
John Spears

About the Artist

John Spears

United States

BRIEF HISTORY OF JOHN SPEARS ARTWORK

I established my first large scale 5,000 sq. ft. studio in the late ‘70’s in San Francisco. The structure was the old Hamm’s brewery building, one of many warehouse buildings abandoned in the South of Market area at the time. I was one of the first artists to set up shop in what was to become the SoHo of the West Coast which eventually morphed into the Designer Mart District.

I first began my exploration of the silk screen as a printing process and created a fabric line for the wholesale trade. Eventually, I discovered that it could be much more than just printing but rather a painting medium in which each canvas became a unique painting. After completing 4,000 yards for Apple’s original headquarters in Cupertino I became disenchanted with just printing.

I decided to move to Santa Fe and began to explore the silk screen as a painting medium. I also became director of Shidoni, a 5,000 sq. ft. interior gallery and an eight acre sculpture garden. Shidoni is also a foundry that cast bronze sculptures for artists nationally. The artists were mostly emerging sculptors whom many became established artists of today. I still keep in touch with a number of the artists I now consider friends and traded a number of my screened paintings for their sculptures.

By the mid 80’s, I moved to New Jersey where I began to create site-specific art commissions for major buildings that were rising throughout the region. Public art was needed for the numerous “monuments to architects” which were cold and indifferent to the people who worked in the buildings or individuals who simply passed through the lobbies. The site-specific art approach merged massive architectural space with the artist’s personal art work to soften the “cold interiors”.

My work continued to evolve into a more solitary exploration of art works that stood alone without consideration to its environment. This has been my main concern for the last twenty years. For those who take the opportunity to see the current retrospective show (see: home page for a 3-minute video or see the footer below) you’ll see the transformation of the imagery since 1978. The show is being leased for the next five years so many others will have the chance to witness how the silk screen has been my focus in the art work I create and how I took the medium into another dimension beyond simply printing.

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  • Artist featured in a collection

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