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"Confluence" Painting

→ Sonja Grieve, South Africa

Painting, Oil on Canvas

60 W x 36 H in

Ships in a Crate

This work will ship in a secure wooden crate. Read More

$5,058

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


This painting begins with direct observation from a live model before evolving through an intuitive process into an imagined landscape. Rather than depicting the figure literally, the body gradually dissolves into shifting forms, gestures and passages of colour, becoming part of the terrain itself. ...

Year Created:

2026

Subject:

Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

60 W x 36 H x 1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

South Africa.

Need more information?

Contact us.

Need more information?

Contact us.
Sonja Grieve

About the Artist

Sonja Grieve

South Africa

Embodied Terrain examines the reciprocal relationship between body and landscape, dissolving the distinction between the two. Developed from observational drawings of the live figure, each painting undergoes an intuitive process of accumulation, excavation and revision in which representation gradually gives way to a more fluid spatial language.

The figure is neither subject nor motif, but a generative structure through which the landscape is constructed. Forms surface, fragment and recede, occupying an ambiguous territory where corporeal and geological rhythms converge. Rather than depicting place, the paintings consider landscape as an embodied experience, one shaped by memory, movement and perception.

Working primarily in oil, the paintings embrace uncertainty as a generative force. Layered surfaces, shifting chromatic relationships and gestural marks resist fixed readings, inviting sustained attention and multiple interpretations. The resulting works occupy a threshold between abstraction and figuration, proposing the body and the landscape not as separate entities, but as mutually constitutive forms continually engaged in processes of transformation.

Recognition:

  • Artist featured in a collection

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