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"Corner Antique Store" Painting

→ Allen Jones, United States

Painting, Oil on Canvas

8 W x 10 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

$205

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


I paint "Alla-Prima" whether I'm painting Abstracts or Subjective work and incorporate a loose but deliberate approach!Abstract expressionist painting I paint mostly from life Plein/Aire and always paint wet into wet Alla/Prima. I'ts a challenge but I like the loose spontaneous feel to the painting...

Year Created:

2022

Subject:

Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

8 W x 10 H x 1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Contact us.

Need more information?

Contact us.
Allen Jones

About the Artist

Allen Jones

United States

I came to understand abstraction through experience rather than theory.

As a teenager working on the Mississippi River, I once watched industrial smoke and oil catch the sunset and transform into something visually extraordinary. The realization that pollution could appear beautiful unsettled me. It taught me that perception alters meaning — that beauty and contradiction can occupy the same space.

Years later, a blind woman experienced one of my paintings through touch. As she moved her hands across rough and smooth passages of paint, guided only by texture, I understood that surface itself is language.

That understanding became part of me.

Today, it is almost automatic. When I build a painting, I am aware not only of color and composition, but of how the surface moves — where it rises, where it smooths, where it resists. Texture is not decoration; it is structure.

I begin with a limited palette, expanding it through value and subtle temperature shifts. At a certain point, the painting directs the next decision — placement, pressure, scale. The process becomes less about control and more about response.

I do not paint to reproduce beauty.
I construct surfaces where perception, contradiction, and physical sensation intersect — where beauty lives.

The painting speaks.
I listen.
And the surface becomes something that can be experienced beyond sight.

— Allenzart (Allen Jones)

Recognition:

  • Artist featured in a collection

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