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Daffodils and spring maple branches on the palette Painting

Ekaterina Dmitrieva

Russia

Painting, Oil on Canvas

Size: 31.5 W x 35.4 H x 0.8 D in

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About The Artwork

This blossoming branches of maple and daffodils, as the name implies, really stands on my palette. As a stand for the palette, I then adapted the stand from the TV, I put it on a wooden tablet and, it seems, a cutting board or some piece of plywood, coinciding with each other in size so that its covered the entire surface of my TV-stand. It was much more comfortably and useful than my usual palette for oil paint. When I was going to paint this art work, I planned, as always, to put the bouquet on the table, which then depicted all my still lifes, but it was clutterd with previous still lifes, so I stood in front of it all in bewilderment with an unstable bouquet of branches sticking out in all directions and falling out daffodils. It had to be put somewhere, and in the absence of another available horizontal surface, I put it on the palette. So it turned out this magical picture. Art work immediately entered in my catalog " Rain on the other side of the river." The paint is not yet completely dryd, and in August the picture was decorated my solo exhibition of the same name in the Central House of Artists (CHA). Moscow 2008 In the spring of the next year, exhibited at a solo exhibition in the office of Corporation "PALL", in September - October 2009 at the solo exhibition" Circus arrived" in the Museum of "Russian Gubkin University Oil and Gas". In the new year holidays of 2009-2010 the picture was exhibited at the solo exhibition "Fishermen and Sowers” in the CHA (Central House of Artists Moscow), then there at solo exhibitions: “Right to Summer” from December 27, 2011 to January 8, 2012, “Properties of Memory-2” and “Properties of Memory-3” in the summer of 2012, “Escape in Height” in may 2013. (Central House of Artists Moscow) Этот букет из распускающихся веток клена и нарциссов, как следует из названия, действительно стоит на палитре. В качестве подставки для палитры я тогда приспособила тумбочку от телевизора, я клала на нее деревянный планшет и, кажется, разделочную доску или какой-то кусок фанеры, совпадающие друг с другом по размеру так, что они перекрывали всю поверхность тумбочки. Это было намного удобнее, чем обычная палитра. Когда я собиралась писать эту работу, то планировала, как всегда, поставить букет на столик, на котором тогда писала все свои натюрморты, но он был занят предыдущими постановками и еще кучей всего, так что я стояла перед ним в недоумении с неустойчивым букетом с торчащими во все стороны ветками и вываливающимися нарциссами. Его надо было куда-то поставить, и за неимением другой свободной горизонтальной поверхности я поставила его на палитру.Так получилась эта волшебная картина. Она сразу вошла в авторский каталог “Дождь по ту сторону реки». Краска еще не совсем высохла, а в августе картина уже украшала экспозицию одноименной персональной выставки в Центральном Доме Художника (ЦДХ). Весной следующего года она выставлялась на персональной выставке в офисе корпорации «PALL», в сентябре - октябре 2009 года на персональной выставке “Цирк приехал” в музее РГУ нефти и газа им. Губкина. В новогодние каникулы 2009-2010 года картина выставлялась на персональной выставке “Ловцы и Сеятели” в ЦДХ, далее там же на персональных выставках: “Право на лето” с 27 декабря 2011 г. по 8 января 2012 г., “Свойства памяти-2” и “Свойства памяти-3” летом 2012 года, “Побег в Высоту” в мае 2013 года.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:31.5 W x 35.4 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I was born in Moscow on December 11, 1987. In every new piece of my art works there are more questions than answers; all of its are multilateral, it is exciting to look into them again and again finding hidden details, implicit accents, thinking of motives of the plot’s concept. In a series of paintings I decided to highlight still lifes paintings. Still life is always harmony. Because, in composing still life or bouquet, artist doing himself, as a rule, from the beginning to the end. Still life usually consists of items which are painter's property. As philologists have at home a library, sportsmen have sports equipment, and artists have a still-life fund. Usually, things get into it for a reason: they are specially bought, collected by acquaintances and passed from generation to generation in the family. All things in the painter's «Still-life Foundation» have a history. Along with the objects artist must also to depict the air. The viewer must be able to tell, without detective, it was hot in art workstudio or cold, what time of day, a fresh morning or a languorous evening. I never repeat my art-works and do not make copies. I speak Russian, English, Italian, French

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