VIEW IN MY ROOM
Germany
Painting, Acrylic on Canvas
Size: 35.4 W x 82.7 H x 0 D in
Ships in a Tube
Susanne Haun deals with the mythology of the Inuit. The Inuit have handed down their stories orally. Written records are first published in the 18th century by missionary Hans Egede and his son Poul Egede from Greenland. The father of the sea goddess Sedna annoyed the behavior of his daughter, who did not want to have a husband. One night, he put a colored stone on the girl's sleeping place, which turned into a dog-man and took the unruly woman without much ado. and the dog man got many children. To feed the family with food, the dogman swarmed once a day with a pair of boots tied around his neck to his father-in-law, who filled his boots with meat. On the large, double-sided painted, unframed canvas, which is suitable for hanging free-floating in the room, the dog man is depicted on the reverse. The recto page shows a scetch note on the topic of the Arctic and climate change.
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:35.4 W x 82.7 H x 0 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Germany.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Germany
My work as an artist is like an additional sense organ for me. Until a complete statement desired by me emerges, I design and discard ideas in my head. Art is my language, my exchange with the environment, the way to make my ideas visible. As materials for my drawings I use ink and steel / drawing pens and brushes on handmade paper, canvas and glass. I work serially and project-based. I am interested in the passage of time, which I document in my blog (www.susannehaun.com), which I fill since March 2009 almost daily with words and images. For my large-format canvases, I use acrylic paints and oil crayons in addition to ink. Most often I present my up to 4 meters long and 2 meters wide canvases without stretcher as flags painted on both sides in the room, gladly the artworks may lie completely or partially on the floor. When I read, images arise in my head, which I convert into paintings. Smaller ink drawings I bundle in artist unique books. Nature inspires me: I immediately see the lines and surfaces when I look at them. In color charts I consider the coordination of color for my paintings. The contrast and ink applied with brush and pen on an acrylic background is one of my favorite pictorial elements. In my work I am as minimalist as necessary. For many artists, the creative process stops after the individual work is created. For me, the process continues when the art is assembled and presented. It is in the interaction with the audience that the art begins to live and work for me.
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