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detachment for permanent attraction Painting

Gianfranco Amodeo

Italy

Painting, Oil on Canvas

Size: 31.9 W x 23.6 H x 0.8 D in

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$2,710

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About The Artwork

the work is made with a mixed technique consisting of paper glued on canvas and painting of the two faces with oil color. The paper has tears to give meaning and prominence to the two faces. The pictorial structure is made on two canvases placed on wood. The meaning of the work is in the magnetism of a gaze, which is then repeated from the side, and which is also reflected in the observer; it becomes a permanent circularity of the woman's charm

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:31.9 W x 23.6 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I live in Salerno, Italy. My art has always been born from the search for the intimacy of the Human Person, in the variations of his psychological becoming caught in a particular expressionist nudity, mental or physical, up to the limit of abstraction, overt or hidden. I have participated in monographic and collective exhibitions in many cities, with a careful selection of events whose last main events were in 2010 the opening of the Magma Museum in Caserta, the presence at Magma Med in Palermo and then again in Genoa in 2013 at the International Fair. of Art with the Queen Art Studio of Padua, in 2014 at the Second Palermo Biennale, in 2016 and 2018 at the International Art Salerno, in 2017 in Berlin at the Malzfabrik with the Jelmoni Gallery, and in 2018 in Giffoni with the exhibition of decontemporary visual arts curated by Maurizio Barrés. He has exhibited in Rome, Berlin, Paris, Padua, Salerno, Lecce and Palermo. In the absolute authenticity, both of a truth given as archetypal and stable and of that which faces the idea of a different future and still unknown knowledge, the emotions on the canvas cross the spaces of being and of its becoming, not only temporal, in perspectives that are fragmented and recomposed, spreading from psychic intimacy to the more material echo. They open and indicate a path made up of words inevitably linked to each other, yet with the same inevitability they suggest that the unspoken is the non-absent void that claims a real and central role. The complicity of those who observe that message to be interpreted, beyond the appearance of the words given in the signs, is fully in the sensitivity and experience of each one, in the drama of the choices of the possible to be undermined.

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