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"If it looks like a duck, and quacks like a duck, we have at least to consider the possibility that we have a small aquatic bird of the family anatidae on our hands."

"Human beings, who are almost unique in having the ability to learn from the experience of others, are also remarkable for their apparent disinclination to do so."

"Isn't it enough to see that a garden is beautiful without having to believe that there are fairies at the bottom of it too?"

"I think the idea of art kills creativity."

"I taught myself to play the guitar by listening to Paul Simon records, working it out note by note. He is an incredibly intelligent musician. He's not someone who has a natural outpouring of melody like McCartney or Dylan, who are just terribly prolific with musical ideas."

"I wanted to be a writer-performer like the Pythons. In fact, I wanted to be John Cleese, and it took me some time to realise that the job was, in fact, taken."

"I remember very little about writing the first series of 'Hitchhiker's.' It's almost as if someone else wrote it."

"He was a dreamer, a thinker, a speculative philosopher... or, as his wife would have it, an idiot."

"The Guide is definitive. Reality is frequently inaccurate."

 -Douglas Adams


Douglas Noel Adams (11 March 1952 – 11 May 2001) was an English author, screenwriter, essayist, humorist, satirist and dramatist. Adams was author of The Hitchhiker's Guide to the Galaxy, which originated in 1978 as a BBC radio comedy before developing into a "trilogy" of five books that sold more than 15 million copies in his lifetime and generated a television series, several stage plays, comics, a video game, and in 2005 a feature film. Adams's contribution to UK radio is commemorated in The Radio Academy's Hall of Fame.

Adams also wrote Dirk Gently's Holistic Detective Agency (1987) and The Long Dark Tea-Time of the Soul (1988), and co-wrote The Meaning of Liff (1983), The Deeper Meaning of Liff (1990), and Last Chance to See (1990). He wrote two stories for the television series Doctor Who, co-wrote City of Death, and served as script editor for its seventeenth season in 1979. He co-wrote the Monty Python sketch “Patient Abuse” which appeared in the final episode of Monty Python's Flying Circus. A posthumous collection of his selected works, including the first publication of his final (unfinished) novel, was published as The Salmon of Doubt in 2002.

Adams was an advocate for environmentalism and conservation, a lover of fast cars, technological innovation and the Apple Macintosh, and a self-proclaimed "radical atheist”.
Source: Wikipedia
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Douglas Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 36 W x 96 H x 2.5 D in

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About The Artwork

"If it looks like a duck, and quacks like a duck, we have at least to consider the possibility that we have a small aquatic bird of the family anatidae on our hands." "Human beings, who are almost unique in having the ability to learn from the experience of others, are also remarkable for their apparent disinclination to do so." "Isn't it enough to see that a garden is beautiful without having to believe that there are fairies at the bottom of it too?" "I think the idea of art kills creativity." "I taught myself to play the guitar by listening to Paul Simon records, working it out note by note. He is an incredibly intelligent musician. He's not someone who has a natural outpouring of melody like McCartney or Dylan, who are just terribly prolific with musical ideas." "I wanted to be a writer-performer like the Pythons. In fact, I wanted to be John Cleese, and it took me some time to realise that the job was, in fact, taken." "I remember very little about writing the first series of 'Hitchhiker's.' It's almost as if someone else wrote it." "He was a dreamer, a thinker, a speculative philosopher... or, as his wife would have it, an idiot." "The Guide is definitive. Reality is frequently inaccurate." -Douglas Adams Douglas Noel Adams (11 March 1952 – 11 May 2001) was an English author, screenwriter, essayist, humorist, satirist and dramatist. Adams was author of The Hitchhiker's Guide to the Galaxy, which originated in 1978 as a BBC radio comedy before developing into a "trilogy" of five books that sold more than 15 million copies in his lifetime and generated a television series, several stage plays, comics, a video game, and in 2005 a feature film. Adams's contribution to UK radio is commemorated in The Radio Academy's Hall of Fame. Adams also wrote Dirk Gently's Holistic Detective Agency (1987) and The Long Dark Tea-Time of the Soul (1988), and co-wrote The Meaning of Liff (1983), The Deeper Meaning of Liff (1990), and Last Chance to See (1990). He wrote two stories for the television series Doctor Who, co-wrote City of Death, and served as script editor for its seventeenth season in 1979. He co-wrote the Monty Python sketch “Patient Abuse” which appeared in the final episode of Monty Python's Flying Circus. A posthumous collection of his selected works, including the first publication of his final (unfinished) novel, was published as The Salmon of Doubt in 2002. Adams was an advocate for environmentalism and conservation, a lover of fast cars, technological innovation and the Apple Macintosh, and a self-proclaimed "radical atheist”. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:36 W x 96 H x 2.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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