VIEW IN MY ROOM
United Kingdom
Painting, Acrylic on Paper
Size: 14 W x 11 H x 0.8 D in
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Painting with acrylic paint and conté crayons on vintage paper. The scene shows supports for drying nets and washing poles 'down the shore' at the bottom of my street in Avoch, Scotland, all the supports and poles but two long gone decades ago. You can discern some words of The Songs of the Isles from the 1960s in the distressed 'blank' surround. The floral border is formed from rougnly torn wallpaper from the early 20th century, found several layers deep in my fisherman's cottage just along from this scene. The grand sweep to the composition contrasts with the loose brushstrokes and treatment. The picture has been created on a cradled wood panel treated to archival standards to preserve the work. The wood has been sealed with Golden GAC 100, the paper coated on both sides with Golden soft gel medium and the picture given two final layers of protection with Golden UV matte varnish. The collage wraps over the sides of the wood panel and requires no frame. The picture has been wired and is ready to hang. Signed on the reverse with description and title.
Painting:Acrylic on Paper
Original:One-of-a-kind Artwork
Size:14 W x 11 H x 0.8 D in
Frame:Not applicable
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
You’ll usually see me thinking about composition, playing with pattern and testing spatial relationships, that sort of thing. As for anything else I think about how it affects all the above. I enjoy looking for unlikely structures and trying out fleeting interractions. The question of balance is never far away. When it comes to meaning, the torn and faded materials in my collages show where man has been. I suppose everything reflects an unidealised view of humanity. But I’m also attracted to the opposite, the wide expanses of nature (especially the sea) where there’s not much humanity at all. My influences may not be apparent… I keep coming back to Cézanne and Matisse.
Artist featured by Saatchi Art in a collection
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