VIEW IN MY ROOM
Portugal
Painting, Watercolor on Paper
Size: 44.1 W x 29.9 H x 0 D in
Ships in a Box
The intensity of the staging created by Johannes Veemer in "The Girl with the Pearl Earring" (1665), was the starting point for the composition "And after the look". It is sought to give continuity to the game of seduction by placing the spectator in the place of the painter at the time after mise-en-scène. There is an exchange of roles that leads the latter to become emotionally involved with the character. It maintains with her an almost obsessive intimate visual contact motivating the duality of exaltations. The composition is sustained by two moments: the "before" and the "after", by two complementary colors (contrasting between cold and warm colors), two faces of the same character and lines of force doubled inversely. The earring remains simultaneously center of the composition and vertex of a triangle that is structured around an avid look and of sensual lips. 300 gsm Arches paper Sennelier Watercolour
Multi-paneled Painting:Watercolor on Paper
Original:One-of-a-kind Artwork
Size:44.1 W x 29.9 H x 0 D in
Number of Panels:2
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Portugal.
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Portugal
Adelaide Morgado was born (n.1972) and studied in France. She currently lives in Aveiro, Portugal. She is currently studying Painting at the Faculty of Fine Arts in Porto. Body and facial language, expressiveness of gesture and color are the elements that give more strength to his work. Although she began painting with oil more than twenty-five years ago, watercolor is now the technique that is more versatile and better response to creative needs. His work is inspired by the strengths of Lita Cabellut and Nathan Ford's characters, Alberto Giacometti's sculptural constructions, Graham Dean's and Eric Lacombe's technique, and the merger of Kehinde Wiley's standards.
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