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ELEMENT Painting

Corinna Naumann

Germany

Painting, Ink on Wood

Size: 7.7 W x 10.9 H x 0.8 D in

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About The Artwork

The piece comes with hanging, doesn't need a frame and is signed in the picture as on the back. ELEMENT is a smaller mixed media piece including a digital print (professional high quality lightfast ink), inks, shellack inks, pigment liners and oils on acrylic colour on partly slightly burned and a bit cracked spruce wood, varnished. It is another approach on a mixed media (analogue) drawing on paper I've done 2015. I've worked on the print with several layers and different medias as golden and bronze inks in lower layers giving the upper layers a warm shimmer and some glittering, perfectly in contrast with the deep dark blues washed on them. Also, I've rebuilt the eyes as they lacked intensity in the small print, clothed the figure and changed the complete colour set and let it rinse down / up. I've also extended the motive onto the sides of the wood. I love transferring my own drawings on specially prepared wood pieces. I prepare my own pictures, their digital data and the wood all by myself. I continue working on the prints, so they are very different from the works on paper: They become unique new originals, not only because they play with the individual structure of the wood, but also because I take very different approaches on them. All the steps behind this mixed media piece: In the beginning of this piece, I browsed on the internet for a face or view that might stimulate my imagination, which is often my first step in developing a new portrait. I need to feel a promise of where it may go; a sizzling, a crackling in my senses. There were portrait photos of passersby in New York this time, and with them this beauty who was both a bit shy and proud and had an interesting chin and cheekbones. I've started with her, made her more proud and vibrant and through drawing and painting her, she became more and more an allegory of summer in town. It's been summer when I drew her, and a hot one (2015). She became my resemblance; hot, also sexy, strong, totally independent, self-sufficient, demanding. The original work on paper measures 70x100cm and is made with inks, shellac inks, wooden pencils and graphite on Fabriano Artistico Water Colour Paper 600gr / qm. You can see the first version on paper for comparison here. SUMMER II is one of my first pictures where I started to play with a reproduction of one of my works on wood and making something new, outstanding from it. I call them Summer's stories: All different aspects of this first inspiration. As my first version was reduced to being open, going on with her leaves me with many opportunities. With my works on paper, I often get too cautious (in my self-unassured opinion), as no single stroke or line can be taken back (it's also why I really love to work on paper, it's honest and I can't possibly cheat but have to grow on my deeds). Here, I can't take anything back either, but I can play in other ways: The surface (not the smooth, plain white paper anymore) is roughened, bears all the marks of the old wood and it's own characteristics. It's an additional element that wants to be used and shares its surprises only after having it printed: marks, cracks and wooden eyes in locations I could not all foresee or avoid, for example. When a picture is freshly printed on wood, it may be a representation of the picture I've drawn, but it's not yet a new artwork standing on its own. That's just the moment when my work begins anew. Sometimes pictures develop to something totally new. It's a journey I'm loving to take. Sometimes I already know where I'm heading to, sometimes I start with details that lead to something or I start with an experiment forcing myself to leave my comfort zone. Curiosity, learning and changing are, in my opinion, the most important deals in life, the real reasons of life itself. My art is either about this: capturing a moment, and then maybe changing or transforming it; or about captured thoughts, beauties, surreal ideas; my own history, identity or monologues; or about aspects or events of our world we shouldn't deny or forget. Always, my works are a celebration of life, though they may be sometimes about fears or insecurities; we can conquer not all of life's incidents, but our own fears or anger, and we can grow on them.

Details & Dimensions

Painting:Ink on Wood

Original:One-of-a-kind Artwork

Size:7.7 W x 10.9 H x 0.8 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

In short: I make empathic artworks for complex minds. Elaborately: Hi! I am a fine artist and sometimes illustrator who is polyamorous with different art techniques and styles. While I deeply love drawing with ink, I also love experimentally combining many materials such as watercolour, acrylics, acrylic and shellac inks, oils, varnishes, tea, pencils, and markers. Etchings, monotypes, and collages complete my range, while I also dabble in Photoshop. This wide array is also resembled by my usage of old and new paper, canvas, and old and new wood as support. Most of my recent motifs are female watercolour portraits. Emotions, strength, and vulnerability are themes that don't cease to inspire me. Another recurring theme is nature, growth as decay, and life's beauty and complexity. I've done many works for exhibitions about the environment and Fukushima. I don't want to limit my work to beauty. Art, for me, is always also political. It can give problems voices and open up new options for actions. I'm a fan of LGBTQI+ art and humanist mindsets. My art has already been shown in exhibitions and museums in Germany, Spain, Portugal, Macedonia, Japan, and South Korea, some remaining in the ownership of the museums. I divide my time between creating, learning new stuff about art, organizing and partaking in exhibitions, working part-time for the benefit of a stable studio and living space, and teaching workshops. I'm a highly sensitive person and I often feel other people's feelings unfiltered, so being with many or new people can be much or too much; nevertheless, I enjoy other people's company a lot. The dose makes my poison (and sometimes gives me new input to paint). Therefore, I invite you to interpret my artworks as a story I'm telling you about a special mindset, beautiful detail or strong feeling. As you, the recipient, are part of this process, your story from the picture will differ to another one's story or yours on another day, life situation or age. While I dose my emotional discourse through letting an artwork do the connecting, you are free to dose your further discourse in your pace. In a way, it can hopefully become an enriching dialogue throughout the viewer's life. Whenever my inner punk yells at the introverted and reclusive artist-me again, I include environmental or social / zeitgeist critics in my works.

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