VIEW IN MY ROOM
United Kingdom
Painting, Oil on Canvas
Size: 23.6 W x 35.4 H x 0 D in
Ships in a Tube
This work is inspired by the amazing portraits of many royal kings and queens in Middle Ages. Artists like Van Dyke created huge rich portraits showing such realism and detail. I wanted to paint my own abstract version of Elizabeth first”s famous portraits, the Armada, the ermine or the rainbow portrait. You can see that her body grows into the earth, as she has become an archetype, like Diana the hunter or Astraea the Greek virgin Goddess of justice, innocence, purity and precision. She is an image of female power and an embryo grows in her folds of her skirts, a womb-like structure to show the present of her needing to provide an heir . Her face is like a big white egg, again to emphasise the expectation of a Queen to produce an heir. Even though she was a powerful queen, she was still viewed like many wives of kings, especially her mother Anne Boleyn whom ultimately paid the highest price for not giving birth to a son. However she was able to defy that pressure of marriage and keep herself as an enigma of queen-like beauty and because of this I wanted to paint my own Queen Elizabeth I. Aside from being inspired by the royal artists, it is also influenced by Picasso and Matisse and their surrealist works of women. But also a bit of Freda Kahlo in her self portraits.
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:23.6 W x 35.4 H x 0 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
I always loved being creative and would often spend hours sketching out ideas or writing poems. I have always been very viisual and my early interest in alternative music, graphic novels and comic’s definitely influenced my artistic style as a teenager. My early work was a lot more figurative, where I would sketch out ideas first and work from pencilled designs on the canvas/paper and experimented with using oil paints. Some were quite scary, surreal, with figures/forms growing into each other or landscapes. and more fine-art/illustrative in design. I used watercolours for a time too, and found this helpful when creating works with lots of detail. I also started designing major arcana tarot cards as I was studying psychology and art therapy and had always been fascinated by Carl Jung and his idea of archetypes and collective unconscious. After this I returned to using oils on canvas. Some were more cubist, impressionist, some folk art or primitivism. However my work in last decade has been experimenting with expressionism and abstract art which has developed through varying styles. Some more influenced again by folk art, abstract primitivism and street art. My favourite artists are Basquiat for his naive originality, use of writing and symbols in his work. Pollack and Brasner for creating art that is more about the process. I love to paint fast energetic designs with bright colours and then lots of contrasting shades. I have begun to use a technique where I move paint with a squeegee to create interesting effects. Other artists that have influenced me are Karel Appell, Jimmy Ernst, Francis Bacon, Willem and Elaine de Cooning, Van Gogh, Jean Mitchell, I have tried to use similar styles where bold brush strokes can be seen to build up layers of texture and depth, sometimes scratching writing or symbols to create interesting effects or hidden messages about painting itself. Frida Kahlo is also one of my favourites, some of my more figurative abstract work was inspired by her portraits. I have travelled a lot in Mexico during Day of the Dead and relish in their rich arts and crafts cultural heritage and have tried to mimic their colour palettes and imagery of La Calavera Catrina in some of my more folk-art abstracts.I have also used themes of mythology and feminism in some of my pieces, identifying oppression and our connection to earth.
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