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entering another dimension Painting

Stephen Abela

Canada

Painting, Gouache on Paper

Size: 21 W x 13 H x 0.1 D in

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Originally listed for $685
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About The Artwork

young man in suit walking on a crowded beach, bases on the film 'the talented Mr Ripley' Simply put my work can be summed up in a Slim Aarons quote: “attractive people doing attractive things in attractive places.’’ I like photographs of leisure scenes like those by Slim Aarons and often use these images as a starting point to make my paintings. I am drawn to the mix of nostalgia and ‘Luxe, calme et volupté’ in these depictions of leisure. Here is a place where people are partly naked, relaxed and often unaware of themselves and being natural. I reflect on a scene, enhance and manipulate the image to bring across a more direct feeling about the subject. The beach scene and other social settings form a backdrop to my own meditation on what constitutes ‘leisure’ time and how within that time and space I can focus more easily and clearly on expressions of social and personal emotional dynamics. In this sense I feel I am more of a traditionalist as I attempt to relate back to painting history and pull away from the other media -film and photo- which ironically inform and are almost always the starting point of my work. I find in much of my painting I cannot easily separate nostalgia for a bygone era, the sensual from more specific contemporary iconography of human interaction. I think this makes the subject-matter multi-layered and keeps me interested in making work. Hopefully it makes it more interesting to the viewer as well.

Details & Dimensions

Painting:Gouache on Paper

Original:One-of-a-kind Artwork

Size:21 W x 13 H x 0.1 D in

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I paint in a style for a period of a four to six weeks or so untill I get bored and pick up another style, I tend alternate between tighter realist styles and looser more abstract styles, subject matter changes but there are definite reocurring themes. Beaches, pools, bathers, scenes from classic films, history... forming a backdrop to my own meditation on the subject. Within that space I focus on expressions of social dynamics. In this sense I feel I am more of a traditionalist as I attempt to relate back to painting history and pull away from the other media -film and photo- which ironically inform and are sometimes the starting point of my work. On a formal level I am currently focused on extending and strengthening my colour palette, for example in many of the scenes I will incorporate primary and complementary colour dynamics - cool versus warm– to create spatial tension the way Richard Diebenkorn was able to so successfully; a large ocean/pool blue or tree green punctuated by a small area of skin tone or a bright red or yellow umbrella or swimming suit. I find in much of my painting I cannot easily separate nostalgia for a bygone era, the sensual from more specific contemporary iconography of human interaction. I think this makes the subject-matter multi-layered and keeps me interested in making work. Hopefully it makes it more interesting to the viewer as well.

Artist Recognition

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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