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Exotic Matter Painting
Italy
Painting, Acrylic on Canvas
Size: 84 W x 39.5 H x 1 D in
Ships in a Crate
About The Artwork
Exotic Matter, evaluation by Eliza Yacheva. This artwork is divided into three sections, also called a triptych. The first section represents the expansion of the universe which led to the Big Bang and the creation of absolutely everything. The second part reveals the genesis and forming of the Galaxies and stars or in other words, the aftermath of the Big Bang. Scientifically, the model in general agreement with observed phenomena is the Lambda- CDM model – that is, that clustering and merging allows galaxies to accumulate mass, determinating both their shape and stucture. The process of clustering and merging of forms and shapes can be seen in the painting, represented by the vivid harmonious combination of colours. In the second part, there is a spiral green form, accented with a black outline, which resembles and might stand for the molecule composed of two chains – the DNA. What better symbol of life and creation? The third part of the artwork represents the final break up of the universe, shown by the high fragmentation of shapes which suggests collapse and chaos.
Details & Dimensions
Multi-paneled Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:84 W x 39.5 H x 1 D in
Number of Panels:2
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Italy.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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Born 1960 It is a fact that truth cannot be found in appearance, the genetically adapted eye with its restrictions reveals only the particular. Truth, for me, is more likely to be gleaned within the subject; in the form of intuition. My paintings are therefore intuitive diagrams which I then compose into paintings. The rock tombs of St Patrick's, in Heysham, Lancashire, provided a template for my simplified outlines, which are used not only within the pictorial structure but also as potent symbols of being and its temporal constraints. For me, painting has to be as 'authentic' and 'real' as the expanding universe we find ourselves in.
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