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My studio is set in the Italian countyside, a house and land that I restored and tend. I love working from the wild flowers and fruit trees that grow. This is not a direct replication but an essence of the flowers and the landscape that surrounds me. I hope a little of the energy and freedom is translated. Working on movement and flow, stillness yet fluidity, the play on light flickering through the leaves or the transparancy of the delicate petals, the form of the flowers are so embodying, the curves and containers, the fuzzy beards, hafts & falls, trying to capture the droops and crests, sweeping, dissolving nature. These flowers hold hope and the word iris originates from the greek for rainbow, which has been a true symbol throughout this world crisis. I am still working in a layering process but the acrylic paints allows for swathes of colour to be loaded on the brush, the layers give a sense of changing moods or opportunities to vary the mark making, sometimes loose, tenuous, other times with deliberate gusto, freeing, spontaneous but also rooted in the natural shapes. the layering too is a way to break down the visual plane, seperate the elements, that are independent but then merge, conflict, soothe, ease, melt into togetherness. There is great energy in creating.
My studio is set in the Italian countyside, a house and land that I restored and tend. I love working from the wild flowers and fruit trees that grow. This is not a direct replication but an essence of the flowers and the landscape that surrounds me. I hope a little of the energy and freedom is translated. Working on movement and flow, stillness yet fluidity, the play on light flickering through the leaves or the transparancy of the delicate petals, the form of the flowers are so embodying, the curves and containers, the fuzzy beards, hafts & falls, trying to capture the droops and crests, sweeping, dissolving nature. These flowers hold hope and the word iris originates from the greek for rainbow, which has been a true symbol throughout this world crisis. I am still working in a layering process but the acrylic paints allows for swathes of colour to be loaded on the brush, the layers give a sense of changing moods or opportunities to vary the mark making, sometimes loose, tenuous, other times with deliberate gusto, freeing, spontaneous but also rooted in the natural shapes. the layering too is a way to break down the visual plane, seperate the elements, that are independent but then merge, conflict, soothe, ease, melt into togetherness. There is great energy in creating.
My studio is set in the Italian countyside, a house and land that I restored and tend. I love working from the wild flowers and fruit trees that grow. This is not a direct replication but an essence of the flowers and the landscape that surrounds me. I hope a little of the energy and freedom is translated. Working on movement and flow, stillness yet fluidity, the play on light flickering through the leaves or the transparancy of the delicate petals, the form of the flowers are so embodying, the curves and containers, the fuzzy beards, hafts & falls, trying to capture the droops and crests, sweeping, dissolving nature. These flowers hold hope and the word iris originates from the greek for rainbow, which has been a true symbol throughout this world crisis. I am still working in a layering process but the acrylic paints allows for swathes of colour to be loaded on the brush, the layers give a sense of changing moods or opportunities to vary the mark making, sometimes loose, tenuous, other times with deliberate gusto, freeing, spontaneous but also rooted in the natural shapes. the layering too is a way to break down the visual plane, seperate the elements, that are independent but then merge, conflict, soothe, ease, melt into togetherness. There is great energy in creating.
My studio is set in the Italian countyside, a house and land that I restored and tend. I love working from the wild flowers and fruit trees that grow. This is not a direct replication but an essence of the flowers and the landscape that surrounds me. I hope a little of the energy and freedom is translated. Working on movement and flow, stillness yet fluidity, the play on light flickering through the leaves or the transparancy of the delicate petals, the form of the flowers are so embodying, the curves and containers, the fuzzy beards, hafts & falls, trying to capture the droops and crests, sweeping, dissolving nature. These flowers hold hope and the word iris originates from the greek for rainbow, which has been a true symbol throughout this world crisis. I am still working in a layering process but the acrylic paints allows for swathes of colour to be loaded on the brush, the layers give a sense of changing moods or opportunities to vary the mark making, sometimes loose, tenuous, other times with deliberate gusto, freeing, spontaneous but also rooted in the natural shapes. the layering too is a way to break down the visual plane, seperate the elements, that are independent but then merge, conflict, soothe, ease, melt into togetherness. There is great energy in creating.
My studio is set in the Italian countyside, a house and land that I restored and tend. I love working from the wild flowers and fruit trees that grow. This is not a direct replication but an essence of the flowers and the landscape that surrounds me. I hope a little of the energy and freedom is translated. Working on movement and flow, stillness yet fluidity, the play on light flickering through the leaves or the transparancy of the delicate petals, the form of the flowers are so embodying, the curves and containers, the fuzzy beards, hafts & falls, trying to capture the droops and crests, sweeping, dissolving nature. These flowers hold hope and the word iris originates from the greek for rainbow, which has been a true symbol throughout this world crisis. I am still working in a layering process but the acrylic paints allows for swathes of colour to be loaded on the brush, the layers give a sense of changing moods or opportunities to vary the mark making, sometimes loose, tenuous, other times with deliberate gusto, freeing, spontaneous but also rooted in the natural shapes. the layering too is a way to break down the visual plane, seperate the elements, that are independent but then merge, conflict, soothe, ease, melt into togetherness. There is great energy in creating.
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VIEW IN MY ROOM

Falling Higher, Wild Iris series 2 Painting

Emma Archer

Italy

Painting, Acrylic on Paper

Size: 17.3 W x 19.7 H x 0 D in

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About The Artwork

My studio is set in the Italian countyside, a house and land that I restored and tend. I love working from the wild flowers and fruit trees that grow. This is not a direct replication but an essence of the flowers and the landscape that surrounds me. I hope a little of the energy and freedom is translated. Working on movement and flow, stillness yet fluidity, the play on light flickering through the leaves or the transparancy of the delicate petals, the form of the flowers are so embodying, the curves and containers, the fuzzy beards, hafts & falls, trying to capture the droops and crests, sweeping, dissolving nature. These flowers hold hope and the word iris originates from the greek for rainbow, which has been a true symbol throughout this world crisis. I am still working in a layering process but the acrylic paints allows for swathes of colour to be loaded on the brush, the layers give a sense of changing moods or opportunities to vary the mark making, sometimes loose, tenuous, other times with deliberate gusto, freeing, spontaneous but also rooted in the natural shapes. the layering too is a way to break down the visual plane, seperate the elements, that are independent but then merge, conflict, soothe, ease, melt into togetherness. There is great energy in creating.

Details & Dimensions

Painting:Acrylic on Paper

Original:One-of-a-kind Artwork

Size:17.3 W x 19.7 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Emma is a British artist originally from Birmingham and currently living and working from her studio in Italy. After graduating from Liverpool John Moores University with a Bachelor of Fine Arts Emma worked in Birmingham for ten years. There she produced works in her studio, exhibited and worked on commissions. Simultaneously she also worked for galleries and managed one of Britain's largest commercial art galleries outside of London. She also worked for design companies, PR agencies and creative organisations. At this time her works were urban, city inspired landscapes & skylines. Emma has always been inspired by travel and culture which led her to travels around the world and a final big move to her childhood passion of Italy. Emma in the last eight years has personally restored a ruined stone farm house with traditional materials and set up her artist studio. The house is set in a few hectares of land that Emma works on and inspires her current work Constantly being surrounded by nature, this environment has determined a shift in content, her works now are centred around floral, botanical influences with acrylic and watercolour pieces on paper and canvas.

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