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FFX Series #2 Zanarkand Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 72 W x 48 H x 1.5 D in

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"A city dead for a thousand years. A city I had to see with my own eyes. The end of Yuna's journey. The last chapter in my story." -Tidus 
 Zanarkand is a former metropolis at Spira's northernmost edge in Final Fantasy X and Final Fantasy X-2. In the English localization, Zanarkand is pronounced [ˈzæ.nɚ.kənd]. In modern days, it is an ancient holy site.
 There are, in fact, two Zanarkands: the real Zanarkand that was annihilated by Sin at the end of the Machina War against Bevelle 1000 years ago, and the Dream Zanarkand, the exact reproduction of what Zanarkand was before its destruction, created directly from the memories of its former inhabitants.
 The original Zanarkand was a city state whose people wished to enhance their lives using a mix of magicimbued within machina. The city state of Bevelle was militarized and focused on machina. Bevelle believed Zanarkand was planning a war and so Bevelle struck first. During the war Yu Yevon, the leader of Zanarkand and the most powerful summoner in Spira, used this might to fight off the armies of Bevelle. They were unable to stop Bevelle and Yu Yevon sacrificed the people of Zanarkand, turning them into the fayth needed for the ultimate summoning, to preserve the metropolis in a dream state at the height of its power. Yu Yevon summoned a creature of unspeakable power to defend it, which became to be known as Sin. Yu Yevon gave the creature two objectives: defend Dream Zanarkand and destroy any large city that relies on machina. Unable to control Sin's power, Yu Yevon's mind became consumed and the newly summoned Sin turned on Zanarkand itself, destroying the metropolis. Yevon's daughter, Yunalesca, took it upon herself to vanquish Sin and turned her husband, Zaon, into an aeon and summoned him against Sin. Sin was defeated, Yunalesca died, and Yu Yevon's spirit possessed Zaon's aeon and made him into the new Sin. Yunalesca stays in Zanarkand as an unsent to pass on the wisdom of the Final Summoning, the only means of "defeating" Sin. A thousand years later the Zanarkand Ruins is the final destination of the summoners' pilgrimage to defeat Sin, Yunalesca and Zaon's feat having been made dogma by the Temple of Yevon and propagated as the only means to ridding Spira from Sin with the people's atonement. Known as a holy place by Spirans, the ruins are unseen by all except the few summoners and their guardians who prove themselves worthy. Zanarkand has become mythologized as a fabled land at the end of the world where summoners can obtain the Final Aeon. Swarming with pyreflies, Zanarkand is a haven for many fiends, including zombie forms of Warrior Monks who lost their lives during the Machina War. Summoner Yuna and her guardians journey to Zanarkand and set up camp outside the ruins before continuing. The pyreflies react to memories and recreate events from times past. During their journey through the ruins, Tidus, Yuna and their comrades witness visions of their predecessors, including Lady Yocun, a young Seymour and his mother, as well as Braska, Jecht, and a young Auron. Upon entering the Zanarkand Dome and completing the Cloister of Trials, one last challenge awaits the travelers: the Spectral Keeper. When the monster has been defeated Lady Yunalesca welcomes the summoner and the guardians and bestows upon them the Final Aeon, albeit at a heavy price. The summoner must ask Yunalesca to turn their guardian into the fayth required for the Final Summoning. If the bond between the summoner and their former guardian is strong enough, the Final Aeon will destroy Yu Yevon's armor: Sin. The freed Yu Yevon will then possess the Final Aeon, killing the summoner, and fashion a new Sin with the Final Aeon as its core. Upon meeting Yunalesca and learning of Sin's cyclical existence, Yuna rejects the tradition of Final Summoning as false hope, and refuses to pick any of her guardians for a sacrifice. Yunalesca attempts to kill Yuna and her guardians to release them from the sorrow of having lost their final hope, and for having rejected the teachings of Yevon. Yuna and her guardians prevail and Yunalesca fades away, and with her the practice of Final Summoning. Outside the Zanarkand Dome the party spots Sin, but it appears mournful rather than aggressive. One of Yuna's guardians, Tidus, silently promises Sin they will find another way to release it, for Sin's core is Tidus's father, Jecht, who was made into the Final Aeon during a previous pilgrimage. The party is picked up by Cid's airship, the Fahrenheit. If the party returns to Zanarkand, they may find Summoner Dona and her guardian, Barthello, mourning the lack of Final Aeon (only if the party encouraged her to keep with her pilgrimage earlier), and if they descend to the dome again they are attacked by Dark Bahamut. 
 Source: Final Fantasy Wiki 
 
 The music of the video game Final Fantasy X was composed by regular series composer Nobuo Uematsu, along with Masashi Hamauzu and Junya Nakano. It was the first title in the main Final Fantasy series in which Uematsu was not the sole composer. The Final Fantasy X Original Soundtrack was released on four Compact Discs in 2001 by DigiCube, and was re-released in 2004 by Square Enix. Prior to the album's North American release, a reduced version entitled Final Fantasy X Official Soundtrack was released on a single disk by Tokyopop in 2002. An EPentitled feel/Go dream: Yuna & Tidus containing additional singles not present in the game was released by DigiCube in 2001. Piano Collections Final Fantasy X, a collection of piano arrangements of the original soundtracks by Masashi Hamauzu and performed by Aki Kuroda, was released by DigiCube in 2002 and re-released by Square EA in 2004. A collection of vocal arrangements of pieces from the game arranged by Katsumi Suyama along with radio drama tracks was released as Final Fantasy X Vocal Collection in 2002 by DigiCube. The theme song for the game is titled "Suteki da ne", which was performed by Japanese folk singer Ritsuki Nakano, known as "RIKKI". The song was released as a single by DigiCube in 2001 and was re-released by Square Enix in 2004. The game's music was well received overall; reviewers praised the additions to the soundtrack by the two new composers for the series. They especially praised Hamauzu, both for his work in the original soundtrack and in arranging the themes for Piano Collections Final Fantasy X. Several tracks, especially "Suteki da ne" and "To Zanarkand", remain popular today, and have been performed numerous times in orchestral concert series, as well as being published in arranged and compilation albums by Square as well as outside groups. 
 Creation and Influence: Final Fantasy X marks the first time Nobuo Uematsu has had any assistance in composing the score for a Final Fantasy game. His fellow composers for Final Fantasy X were Masashi Hamauzu and Junya Nakano. Uematsu contributed 51 tracks, Hamauzu contributed 20 tracks and Nakano contributed 18 tracks to the game. The two new composers were chosen for the soundtrack based on their ability to create music that was different than Uematsu's while still working together. Uematsu states that his music has been inspired by the music of popstar idols such as Elton John and Paul McCartney, and that his favorite part about the soundtrack is the good reviews from listeners. Nakano set out to create music with a "vibrant and dynamic feel" that tied together his years of experience with game music, while Hamauzu tried to use the soundtrack to bring video game music to "greater heights". "To Zanarkand" was originally written by Uematsu before the development of Final Fantasy X, for the recital of a flutist friend named Seo. Uematsu eventually decided the track was too gloomy and kept it for a later use. When development of Final Fantasy X started, he decided to use the track for the game. 
 Legacy: The Black Mages, a band led by Nobuo Uematsu that arranges music from Final Fantasy video games into a rock music style, have arranged three pieces from Final Fantasy X. These are "Fight With Seymour" from their self-titled album, published in 2003, and "Otherworld" and "The Skies Above", both of which can be found on the album The Skies Above, published in 2004. Uematsu continues to perform certain pieces in his Dear Friends: Music from Final Fantasy concert series. The music of Final Fantasy X has also appeared in various official concerts and live albums, such as 20020220 Music from Final Fantasy, a live recording of an orchestra performing music from the series including several pieces from the game. Additionally, "Swing de Chocobo" was performed by the Royal Stockholm Philharmonic Orchestra for the Distant Worlds - Music from Final Fantasy concert tour, while "Zanarkand" was performed by the New Japan Philharmonic Orchestra in the Tour de Japon: Music from Final Fantasy concert series. An arrangement of "A Fleeting Dream" was performed on July 9, 2011 at the Symphonic Odysseys concert, which commemorated the music of Uematsu. Independent but officially licensed releases of Final Fantasy X music have been composed by such groups as Project Majestic Mix, which focuses on arranging video game music. Selections also appear on Japanese remix albums, called dojin music, and on English remixing websites.
 
 
 Nobuo Uematsu (植松 伸夫, Uematsu Nobuo, born March 21, 1959) is a Japanese composer and keyboardist best known for his contributions to the Final Fantasy video game series by Square Enix. A self-taught musician, he began playing the piano at the age of twelve, with English singer-songwriter Elton John as one of his biggest influences. Uematsu joined Square in 1986, where he first met Final Fantasy creator Hironobu Sakaguchi. The two later worked together on many games at the company, most notably in the Final Fantasy series. After nearly two decades with Square, Uematsu left in 2004 to create his own production company and music label, Dog Ear Records. He has since composed music as a freelancer for other games, including ones developed by Square Enix and Sakaguchi's development studio, Mistwalker. Many soundtracks and arranged albums of Uematsu's game scores have been released. Pieces from his video game works have been performed in various Final Fantasy concerts, where he has worked with Grammy Award–winning conductor Arnie Roth on several of these performances. In the 2000s, he was the keyboardist in the hard rock band The Black Mages, along with Square Enix colleagues Kenichiro Fukui and Tsuyoshi Sekito. The band played various arranged rock versions of Uematsu's Final Fantasy compositions. He has since performed with Earthbound Papas, which he formed as the successor to The Black Mages in 2011. He is sometimes referred to as the Beethoven of video game music and has made several appearances in the annual Classic FM Hall of Fame. 
 
 Final Fantasy X is a role-playing video game developed and published by Square as the tenth main entry in the Final Fantasy series. Originally released in 2001 for PlayStation 2, the game was re-released as Final Fantasy X/X-2 HD Remaster for PlayStation 3 and PlayStation Vita in 2013, for PlayStation 4 in 2015, Microsoft Windows in 2016, and for Nintendo Switch and Xbox One in 2019. The game marks the Final Fantasy series transition from entirely pre-rendered backdrops to fully three-dimensional areas (though some areas were still pre-rendered), and is also the first in the series to feature voice acting. Final Fantasy X replaces the Active Time Battle(ATB) system with the "Conditional Turn-Based Battle" (CTB) system, and uses a new leveling system called the "Sphere Grid". Set in the fantasy world of Spira, a setting influenced by the South Pacific, Thailand and Japan, the game's story revolves around a group of adventurers and their quest to defeat a rampaging monster known as Sin. The player character is Tidus, a star athlete in the fictional sport of blitzball, who finds himself in Spira after Sin destroyed his home city of Zanarkand. Shortly after arriving to Spira, Tidus becomes a guardian to summoner Yuna to destroy Sin upon learning its true identity is that of his missing father, Jecht. Development of Final Fantasy X began in 1999, with a budget of more than $32.3 million ($50.2 million in 2020 dollars) and a team of more than 100 people. The game was the first in the main series not entirely scored by Nobuo Uematsu; Masashi Hamauzu and Junya Nakano were signed as Uematsu's fellow composers. Final Fantasy X was both a critical and commercial success, shipping over 8.5 million units worldwide on PlayStation 2. It is considered to be one of the greatest video games of all time. On March 13, 2003, it was followed by Final Fantasy X-2, making it the first Final Fantasy game to have a direct game sequel. 
 Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:72 W x 48 H x 1.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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