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Fire Bombing of Tokyo Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 72 W x 60 H x 1.5 D in

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$5,000

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About The Artwork

The Bombing of Tokyo (東京大空襲, Tōkyōdaikūshū) was a series of firebombing air raids by the United States Army Air Force during the Pacific campaigns of World War II. Operation Meetinghouse, which was conducted on the night of 9–10 March 1945, is the single most destructive bombing raid in human history. 16 square miles (41 km2; 10,000 acres) of central Tokyo were destroyed, leaving an estimated 100,000 civilians dead and over one million homeless. The US first mounted a seaborne, small-scale air raid on Tokyo (the "Doolittle Raid") in April 1942. Strategic bombing and urban area bombing began in 1944 after the long-range B-29 Superfortress bomber entered service, first deployed from China and thereafter the Mariana Islands. B-29 raids from those islands began on 17 November 1944, and lasted until 15 August 1945, the day of Japanese surrender. Over 50% of Tokyo's industry was spread out among residential and commercial neighborhoods; firebombing cut the whole city's output in half. Some modern post-war analysts have called the raid a war crime due to the targeting of civilian infrastructure and the ensuing mass loss of civilian life. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:72 W x 60 H x 1.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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