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Flower vase Painting

maddilety suresh babu

India

Painting, Acrylic on Canvas

Size: 30 W x 30 H x 1.3 D in

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About The Artwork

Artefact Materialism I take my nature from the present, past Big Bangs and release to future Big Bangs. Approach: I use knowledge not only this universe and past universes. For instance, I want to paint a sea I draw the idea from an idea (pictures) due to I saw the real sea after the birth of 20 years but I render the sea painting from the real sea. Why I chose sea and from which universe’s sea is my nature. The known reality, our body reacts unconsciously by every movement of the universe I named it ‘indirect sense’ and our body recycled by Big Bangs, so ever history of Big Bangs in our body and present universe. However, I open ‘indirect sense’ by my direct five senses by obsessing; catch Big Bangs physical and mental information and everything controlled by my mysterious unconscious mind (or Intuition) means my personality. With this, I do adventure from starting time of the cosmos and the end. It is my hypothesis, if not, to be an imagination. Trillion, trillions and Numerous times the Big Bang and the conscious repeated. The matter of the Big Bang continues to exist, ‘repeated conscious’ memories co-exist like minute waves, and my ‘indirect sense’ gets those like an antenna; It might include life, culture and so on. Perhaps I get every universal’s knowledge, which is already here, how I convert it, my way is the enigma. I send my art to the next Big Bangs. My work, stand not alone for the consciousness of now and completely conscious culture. Work: When the unconscious mind processes with the conscious mind, which is here. Since childhood days, the field of science has influenced me. I desired to a scientist, I could not. Thus, my art is the scientific research way. The scientific process is time taking, my science is rather ‘easy science’. Perhaps I liked the result more than the process of science. The work explores multiple meanings; in my place, art history was not my mother language. So every visual equal to me and lately know concepts. Here equal means spirituality, respecting everything. Here I shift the total mass of reality. In addition, the matter of reality is purposeless and we cannot predict the shape of the formation, so it is abstract for me. Artefact materialism is for my non-abstract, so it leads the abstract of reality. Here my works some conceptual art way and elaborated way. Materialism tells matter is primary. In this evolution, the life and artefacts are secondary. We cannot control the evolution of the matter. But through fiction, I am creating an ’artefact materialism’. My concept is that artefact is primary. Every other thing derived from it, like life and Nature, are secondary. For example, a helicopter is at a particular place. Somebody does not create it, it created by itself. For this helicopter to fly, space and place created by itself. Artefacts assumed as atoms, these are fundamental material. I interpret the only the surface which functions unlike reality from inside to outside (unimaginable or paradoxical), because of object solid without any division, unlike atoms. For instance, the grape plant originates from a drop of wine by with a remotely controlled way, the drop exists in the bottle, but the plant springs up another space. Substance moves with the light speed but sees in stillness. Here, the sound of the river as "boat" "boat"... These are my rules of bizarre and not limited. Every object has a story. Behind the canvas, I stick a piece of a magnet for the artefact, metaphor for power. I use painting technique normal way. My childhood fantasy was, use water from taps, but for the trees, and when I looked at the rain, I would imagine a big tap in the sky, means happiness. Nowadays every time I surrounded by air, which commanded by AC (Air Conditioner), so detached from nature, it is melancholy. Like other experiences from past Big Bang’s life might be suffered or fantasised with artefacts, how these all things manipulated by my unconscious mind is a closed book.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:30 W x 30 H x 1.3 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Artist Statement: Time and matter are an endless canvas that I fill with ideas. I weave science and philosophy into visual manifestations using digital media, text, photography, paint, and found images and objects. I am inspired by the inherent and otherworldly characteristics of elements and occurrences that constitute the world we occupy and the universe that surrounds us. My process begins in a manner that is similar to how a scientist or philosopher searches for evidence or logic in support of a theory. My hypothesis is that all visual materials and experiences are cyclical and connected in reality. I consider the representational imagery in my art to be visual depictions of atoms, which influence our perception, mental state, and consciousness. My compositions of digital collage, new media, and traditional painting, playfully transform the building blocks of matter and the universe –atoms and galaxies respectively– into recognizable figurative structures, entities, and landscapes. Seeing all materials as atoms, I mimic how mediums are transformed through natural processes over the course of time. This is the case with my performative video series, Social liquids, where I combine commonly shared and utilized organic materials like municipal water and garden flowers, in order to document the evolution of these items, and in turn, create new ephemeral amalgamations that become a part of the creative life cycle. In my art, disparate fragments of objects and images are transfigured and held together by common threads, because all these facets articulate cycles of renewal and metamorphosis. This idea is based on theoretical physicist Roger Penrose’s theory of Conformal Cyclic Cosmology. I view my work as being a process in continuum and as part of a larger undertaking within artistic discourse and practice. Through my own artwork, I am creating visual and empirical formulas for present and future artists to utilize and expand upon. Suresh Babu Maddilety was born in 1971, in Guntakal town, Andhra Pradesh, India. His father was a signboard artist, and as a child, he used his father’s artistic tools as toys. His father taught him theories of art, science, and philosophy, and how their interdisciplinary relationships work coherently. Biography: Maddilety was astonished by his father’s explanations of astronomy and the aesthetics of the natural world.

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