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Flurries in Red and White Painting

Isabelle Sene

United Kingdom

Painting, Acrylic on Canvas

Size: 15.7 W x 15.7 H x 0.8 D in

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$690

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About The Artwork

Flurries in Red and White ~ Poem by Timothy Barrow Shortly after moving to the south coast, I went to my very first Open Mic out of curiosity and in a bid to meet new people/friends. This Open Mic introduced me to many amazing and wonderful people I never before knew existed: Poets! It is as this first Open Mic that I met Tim Barrow, a wonderfully creative poet who seems to create poems out of colours, except that the colours are actual words. As an artist, I found this first poem I heard him read very inspiring. Flurries in Red and White ~ Barber shop poles twizzle down In illusions of downward breezes, Invisible winds rattle paper Stained with old sauces bought With now cold discarded meats Baiting to night's life lying Upon polystyrene clamshell boxes ~ Round corners signs of red And one white stripe gesture all to stop In their nightly staggering tracks Where no danger lurks Until unawares caught To no entry here, no entry there And red shadows walking on grey ~ Butcher's canopies flap To traditions of red and white Appetised joints and minced out bone And tightly spiced bags of winter flavour Drain life bloods that drip away To roast and sealed patterned skins Wrapping to their honey and latticed end. ~ Robes in red and fur lined whitened Timeless figures stoop in resin To seasonal passing's and yearly nadir's Dark skies and beckoning snows Under red sunset's poking clouds Pinpointing Christmas lights dipping downwards Their cold in blue electric frost. ~ At polar opposite season's zenith Red swirls to white embed themselves To sweetened sticks, rocks and candies; Helter skelter's swirl now stands Forlorn to darkened winter's shadows Against a fading light Of rising morning moon's eclipse. ~ Robin's breast against fallen snow Laps below bedraggled creepers Pitted black berries and discarded seeds And Evergreen's sap withdraws, Holly's berries reveal themselves In timeless ebbs and winter's herald To unfolding season’s Christmasstide. ~ Timothy Barrow, 18th December 2010 For this painting, I threw myself in splashes of red and white, with layers of paint but also torn coloured paper. I enjoyed having words talking to me in colours.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:15.7 W x 15.7 H x 0.8 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Isabelle Séné was born in France in 1969 and has lived in Britain since 1991. Painting has always been in her family: her father, whom she truly admires, is a talented photographer and painter; and her mother, a wonderfully creative mind who could create beauty out of anything, discovered herself a passion for painting murals late in her life. They are Isabelle’s inspiration which led to the journey of experiencing the intimacy and freedom between the mind and the canvas, the soul and the paint. Isabelle uses colours and textures to create an emotional rather than a realistic form of expression; painting what she feels when seeing something or someone – believing the internal expression and observation holds as much value as the external. Inspired by colours, shapes and textures as well as feelings and emotions, she has a passion for engaging with unusual mediums such as pebbles, sand, strings, wood shavings or simply layers of paint applied with the hands in order to get a thickly texturized piece of art which will invoke temptation by the viewers to touch, smell and merge closely with the painting. In 2011 Isabelle resigned from the corporate world of Investment Banking and moved to the south coast in a bid to start a new life away from the hustle and bustle of London. Since then, she finished a full-time course in antiques restoration, started a successful business in furniture making and restoration with her partner, and created a much loved community project supporting marginalised women and refugees in Portsmouth. Moving to Hampshire from London was key in enabling Isabelle to develop an increased level of artistic expression and ethical rewards.

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