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Close up of the boy calling the forest energy
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Forest boy Painting

Tonia Kay

United Kingdom

Painting, Oil on Canvas

Size: 16 W x 20 H x 2 D in

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$4,950

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About The Artwork

Sound and music is a very important element of Balinese culture. It is second to nature. Here we have a boy summoning the forest spirits. At one and present in his own moment. Old Holland oil paints give me the depth I love and the hand made dry pigments I use with my hands provide the light and energetic feel to my art. This piece has gold and lapi lazuli on it. I dare you to stare and not feel the nature in this painting.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:16 W x 20 H x 2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am a creative nomad, journeying between the UK, Australia and Bali, Indonesia. I love to paint people, children in particular, and the wise, elderly. The innate ‘joie de vivre’ they possess inspires all of my art. Light fascinates me and is a continual source of curiosity. Australian light is dazzling, almost painful to the eye. Balinese light is warm and nurturing and the light of the UK has a depth and contrast that has kept us artists motivated for eons. Colour and how it plays within the light excites me. I see energy as colour and intuitively express the colours I see around people. I choose to portray my subjects at one with their environment, present in their moment so they become transparent to the moment. It is my aim, to transmit the energy I see into my art. Vincent Van Gogh (my hero) with his sublime use of colour has been a steady and constant influence. I intend my paintings to vibrate with energy. The dry pigments I use, some containing pure metals, gold, silver and ground crystals, I apply at the completion of a piece using my hands, no brush, this I believe helps create the energetic vibration of the light. Thank you for your time or as we say in Bali - Suksema Tonia.

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