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This is the latest piece in my “Pundering Impeachment” series. This series of a work is an ode to the absurdity of the current political state of the US. By combining the use of the abstracted female form and face along with peach tones, I’ve been playing on the idea of female power and strength in direct response to the impeachment of the 45th president of the United States.
...
It’s very apropos that this, my first piece completed in 2020, is a painted over canvas. Originally titled “Something’s Gotta Give,” this beauty now has a new name and she’s not afraid to use it.
This is the latest piece in my “Pundering Impeachment” series. This series of a work is an ode to the absurdity of the current political state of the US. By combining the use of the abstracted female form and face along with peach tones, I’ve been playing on the idea of female power and strength in direct response to the impeachment of the 45th president of the United States.
...
It’s very apropos that this, my first piece completed in 2020, is a painted over canvas. Originally titled “Something’s Gotta Give,” this beauty now has a new name and she’s not afraid to use it.
This is the latest piece in my “Pundering Impeachment” series. This series of a work is an ode to the absurdity of the current political state of the US. By combining the use of the abstracted female form and face along with peach tones, I’ve been playing on the idea of female power and strength in direct response to the impeachment of the 45th president of the United States.
...
It’s very apropos that this, my first piece completed in 2020, is a painted over canvas. Originally titled “Something’s Gotta Give,” this beauty now has a new name and she’s not afraid to use it.
This is the latest piece in my “Pundering Impeachment” series. This series of a work is an ode to the absurdity of the current political state of the US. By combining the use of the abstracted female form and face along with peach tones, I’ve been playing on the idea of female power and strength in direct response to the impeachment of the 45th president of the United States.
...
It’s very apropos that this, my first piece completed in 2020, is a painted over canvas. Originally titled “Something’s Gotta Give,” this beauty now has a new name and she’s not afraid to use it.
This is the latest piece in my “Pundering Impeachment” series. This series of a work is an ode to the absurdity of the current political state of the US. By combining the use of the abstracted female form and face along with peach tones, I’ve been playing on the idea of female power and strength in direct response to the impeachment of the 45th president of the United States.
...
It’s very apropos that this, my first piece completed in 2020, is a painted over canvas. Originally titled “Something’s Gotta Give,” this beauty now has a new name and she’s not afraid to use it.
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VIEW IN MY ROOM

Freedom of Im'Speach' Painting

Amy Stone

United States

Painting, Acrylic on Canvas

Size: 30 W x 40 H x 1.5 D in

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Originally listed for $2,790
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Artist Recognition

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

This is the latest piece in my “Pundering Impeachment” series. This series of a work is an ode to the absurdity of the current political state of the US. By combining the use of the abstracted female form and face along with peach tones, I’ve been playing on the idea of female power and strength in direct response to the impeachment of the 45th president of the United States. ... It’s very apropos that this, my first piece completed in 2020, is a painted over canvas. Originally titled “Something’s Gotta Give,” this beauty now has a new name and she’s not afraid to use it.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:30 W x 40 H x 1.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I’ve always been grateful for writers and musicians who can put into words things that I cannot. That’s how abstract painting began for me. I often find it difficult to talk about my work, especially in person. To be honest, I'm inspired by nothing, and everything. I am thinking and connecting more than I have in years. It's been a beautiful evolution. Much of my work relates to the Japanese term Wabi-Sabi; a state of acceptance of the imperfections in flow, and the acceptance of the cycle of life and death. I have long suffered from anxiety over my own mortality. It’s my biggest point of fear and vulnerability. Pushing paint around and getting lost in the creative process has been my therapy, and color something that can bring me peace. My hope is that my viewers feel the same sense of safety from my work that I do. My paintings are not perfect. There are unintentional drips and marks. I do not tape my edges and often don't paint my edges. I like things to be natural and real because that is life. It is death as well. So many of us speak about finding balance in life. In fact, much of my work relates to this idea as I strive to create a balance of movement, texture, color and energy in my paintings. Yet my work is always just a little off kilter and off center, alluding to the notion that balance may be something we can never really find. Or maybe we find it, but its not what we were expecting it to look like. I have been told that my work is unresolved and unfinished. To that I say, thank you. It’s your job to resolve it, not mine. My work is never meant to be “perfect” or “done”, and neither am I.

Artist Recognition

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Chicago

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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