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From the Shining Void Painting

Victor Molev

Painting, Acrylic on Canvas

Size: 24 W x 24 H x 0.5 D in

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About The Artwork

Artist Viсtor Molev (Canada)"From the Shining Void" 2022 61x61cm Oil on Canvas. The picture is a free fantasy on the theme of the song of the same name by B. Grebenshchikov from his Album "Kostroma mon Amour": In the Iron Palace sin live our sweet enemy: It hooves and tail, and gold embroidered vest — And somewhere in love with him maiden fifteen years, Because neighbors bored, and with it — maybe not. Beat in crimson bells; save all virgins from him a scoundrel; Put them all under lock and attach to the door seal. But the maiden morally strong and passion as do not like to be bored, And to build a palace for yourself, and find how to cause the tenant. Sailing ship on the sea, from the chimney smoke birch; On the bridge, the captain himself, all in white, with a copper pipe. And from floating sea serpent and drags him along; But if it does not know about, it is possible for a long time to be young. If I had one, I would have looked for a lifetime, where are you; If we had a hundred, we would sing a round table — And unknown to us, but it seems Hawk with clear wings, Looking at yourself and us out of radiant emptiness. So leave all worldly affairs and leave for Tibet Walk from Nepal to Sikkim mysterious mountain path; And our captain to sail the maiden fifteen years, They give birth to children and become themselves. If I had one, I would have looked for a lifetime, where are you; If we had a hundred, we would sing a round table — And unknown to us, but it seems Hawk with clear wings, Looking at yourself and us out of radiant emptiness. B.Grebenshchikov

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:24 W x 24 H x 0.5 D in

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Victor Molev is a Canadian artist of Russian descent, working in the styles of Decorative Realism, Fantasy, Symbolism and Surrealism. Molev was born in the year 1955 in Gorky (present day Nizhny Novgorod), Russia. From an early age, he has shown interest in the visual arts and dedicated his time to creativity. As the artist himself jokes, his love for art derived from the fact that his grandmother was kissed by Marc Chagall in her childhood. She was his younger sister’s classmate, and often visited the Chagall household. In paintings from his childhood and early youth, Molev showed an inclination towards unconventional compositions that were free of the Soviet canons of “Socialist Realism”. In the mid-1970s, as an aspiring young artist, he took drawing and painting lessons under the apprenticeship of Moscow sculptor Tatyana Vishnyakova. It wasn’t until his early twenties that Molev became familiar with the works of Salvador Dali, Max Ernst, Rene Magritte, M.C. Escher and Frank Frazetta through books and magazines. Molev was incredibly inspired by these artists which became like mentors to him. After receiving an education in architecture, the artist worked in the field for ten years. He then worked as a set designer at the Pushkin Opera and Ballet Theatre. Both of these jobs are still reflected in the creative processes of the artist. Throughout the 1980’s, Molev was a part of many group and individual exhibitions in Houses of Culture, movie theatre foyers, research institutes, and the exhibition halls of the Association of Russian Artists. He also exhibited alongside the Gorky Union of Young Artists, of which he had been a part of since its formation. During the final years of the Soviet Union, Molev worked as a graphic illustrator for the magazine “Samizdat”. In December of 1990, Molev immigrated to Israel. The next year he became a member of the Israel Painters and Sculptors Association. He would regularly exhibit his work in galleries, exhibition halls, and community centres. The artist was constantly a part of the Nachalat Binyamin Market in Tel Aviv, as well as many other art festivals. In collaboration with the writer G.Kostovetski under the pseudonym “KOMO”, he participated in numerous international competitions of humorous drawing, which is marked by his diplomas as well as silver and bronze medals. From 2003 until 2006, the artist owned his own gallery in the city of Haifa.

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