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Ghost Dog: The Way of the Samurai is found in death. Meditation on inevitable death should be performed daily. Every day when one's body and mind are at peace, one should meditate upon being ripped apart by arrows, rifles, spears, and swords. Being carried away by surging waves. Being thrown into the midst of a great fire. Being struck by lightning, being shaken to death by a great earthquake. Falling from thousand-foot cliffs, dying of disease, or committing seppuku at the death of one's master. And every day, without fail, one should consider himself as dead. This is the substance of the Way of the Samurai.

Ghost Dog: There is surely nothing other than the single purpose of the moment. A man's whole life is a succession of moment after moment. If one fully understands the present moment, there is nothing left to do, and nothing else to pursue.

Ghost Dog: Among the maxims on Lord Naoshige's wall, there was this one: "Matters of great concern should be treated lightly." Master Ittei commented, "Matters of small concern should be treated seriously.”

Ghost Dog: Our bodies are given life from the midst of nothingness. Existing where there is nothing is the meaning of the phrase "Form is emptiness." That all things are provided for by nothingness is the meaning of the phrase "Emptiness is form." One should not think that these are two separate things.

Ghost Dog: It is said that what is called the Spirit of an Age is something to which one cannot return. That this spirit gradually dissipates is due to the world's coming to an end. In the same way, a single year does not have just spring or summer. A single day, too, is the same. For this reason, although one would like to change today's world back to the spirit of one hundred years or more ago, it cannot be done. Thus it is important to make the best out of every generation.

Ghost Dog: It is bad when one thing becomes two. One should not look for anything else in the Way of the Samurai. It is the same for anything that is called a Way. If one understands things in this manner, he should be able to hear about all ways and be more and more in accord with his own.

Nobody: [after a mobster shoots his pigeon] Stupid fuckin' white man!

Ghost Dog: You know, in ancient cultures, bears were considered equal with men. 
Hunter: This ain't no ancient culture here, mister. 
Ghost Dog: Sometimes it is.

Ghost Dog: There is something to be learned from a rainstorm. When meeting with a sudden shower, you try not to get wet and run quickly along the road. But doing such things as passing under the eaves of houses, you still get wet. When you are resolved from the beginning, you will not be perplexed, though you still get the same soaking. This understanding extends to everything.

from 'Ghost Dog: The Way of the Samurai’ (1999) Starring Forest Whitaker (Bloodsport), John Tormey (Jungle 2 Jungle), Cliff Gorman (All That Jazz), and Henry Silva (Above the Law). Written and Directed by Jim Jarmusch (Coffee and Cigarettes).


Ghost Dog: The Way of the Samurai is a 1999 crime film written and directed by Jim Jarmusch. Forest Whitaker stars as the title character, the mysterious "Ghost Dog", a hitman in the employ of the Mafia, who follows the ancient code of the samurai as outlined in the book of Yamamoto Tsunetomo's recorded sayings, Hagakure. Critics have noted similarities between the movie and Jean-Pierre Melville's 1967 film Le Samouraï.

The film opened to largely positive critical reception, and was nominated for both an Independent Spirit Award for Best Feature and a César Award for Best Foreign Film.
Source: Wikipedia
Ghost Dog: The Way of the Samurai is found in death. Meditation on inevitable death should be performed daily. Every day when one's body and mind are at peace, one should meditate upon being ripped apart by arrows, rifles, spears, and swords. Being carried away by surging waves. Being thrown into the midst of a great fire. Being struck by lightning, being shaken to death by a great earthquake. Falling from thousand-foot cliffs, dying of disease, or committing seppuku at the death of one's master. And every day, without fail, one should consider himself as dead. This is the substance of the Way of the Samurai.

Ghost Dog: There is surely nothing other than the single purpose of the moment. A man's whole life is a succession of moment after moment. If one fully understands the present moment, there is nothing left to do, and nothing else to pursue.

Ghost Dog: Among the maxims on Lord Naoshige's wall, there was this one: "Matters of great concern should be treated lightly." Master Ittei commented, "Matters of small concern should be treated seriously.”

Ghost Dog: Our bodies are given life from the midst of nothingness. Existing where there is nothing is the meaning of the phrase "Form is emptiness." That all things are provided for by nothingness is the meaning of the phrase "Emptiness is form." One should not think that these are two separate things.

Ghost Dog: It is said that what is called the Spirit of an Age is something to which one cannot return. That this spirit gradually dissipates is due to the world's coming to an end. In the same way, a single year does not have just spring or summer. A single day, too, is the same. For this reason, although one would like to change today's world back to the spirit of one hundred years or more ago, it cannot be done. Thus it is important to make the best out of every generation.

Ghost Dog: It is bad when one thing becomes two. One should not look for anything else in the Way of the Samurai. It is the same for anything that is called a Way. If one understands things in this manner, he should be able to hear about all ways and be more and more in accord with his own.

Nobody: [after a mobster shoots his pigeon] Stupid fuckin' white man!

Ghost Dog: You know, in ancient cultures, bears were considered equal with men. 
Hunter: This ain't no ancient culture here, mister. 
Ghost Dog: Sometimes it is.

Ghost Dog: There is something to be learned from a rainstorm. When meeting with a sudden shower, you try not to get wet and run quickly along the road. But doing such things as passing under the eaves of houses, you still get wet. When you are resolved from the beginning, you will not be perplexed, though you still get the same soaking. This understanding extends to everything.

from 'Ghost Dog: The Way of the Samurai’ (1999) Starring Forest Whitaker (Bloodsport), John Tormey (Jungle 2 Jungle), Cliff Gorman (All That Jazz), and Henry Silva (Above the Law). Written and Directed by Jim Jarmusch (Coffee and Cigarettes).


Ghost Dog: The Way of the Samurai is a 1999 crime film written and directed by Jim Jarmusch. Forest Whitaker stars as the title character, the mysterious "Ghost Dog", a hitman in the employ of the Mafia, who follows the ancient code of the samurai as outlined in the book of Yamamoto Tsunetomo's recorded sayings, Hagakure. Critics have noted similarities between the movie and Jean-Pierre Melville's 1967 film Le Samouraï.

The film opened to largely positive critical reception, and was nominated for both an Independent Spirit Award for Best Feature and a César Award for Best Foreign Film.
Source: Wikipedia
Ghost Dog: The Way of the Samurai is found in death. Meditation on inevitable death should be performed daily. Every day when one's body and mind are at peace, one should meditate upon being ripped apart by arrows, rifles, spears, and swords. Being carried away by surging waves. Being thrown into the midst of a great fire. Being struck by lightning, being shaken to death by a great earthquake. Falling from thousand-foot cliffs, dying of disease, or committing seppuku at the death of one's master. And every day, without fail, one should consider himself as dead. This is the substance of the Way of the Samurai.

Ghost Dog: There is surely nothing other than the single purpose of the moment. A man's whole life is a succession of moment after moment. If one fully understands the present moment, there is nothing left to do, and nothing else to pursue.

Ghost Dog: Among the maxims on Lord Naoshige's wall, there was this one: "Matters of great concern should be treated lightly." Master Ittei commented, "Matters of small concern should be treated seriously.”

Ghost Dog: Our bodies are given life from the midst of nothingness. Existing where there is nothing is the meaning of the phrase "Form is emptiness." That all things are provided for by nothingness is the meaning of the phrase "Emptiness is form." One should not think that these are two separate things.

Ghost Dog: It is said that what is called the Spirit of an Age is something to which one cannot return. That this spirit gradually dissipates is due to the world's coming to an end. In the same way, a single year does not have just spring or summer. A single day, too, is the same. For this reason, although one would like to change today's world back to the spirit of one hundred years or more ago, it cannot be done. Thus it is important to make the best out of every generation.

Ghost Dog: It is bad when one thing becomes two. One should not look for anything else in the Way of the Samurai. It is the same for anything that is called a Way. If one understands things in this manner, he should be able to hear about all ways and be more and more in accord with his own.

Nobody: [after a mobster shoots his pigeon] Stupid fuckin' white man!

Ghost Dog: You know, in ancient cultures, bears were considered equal with men. 
Hunter: This ain't no ancient culture here, mister. 
Ghost Dog: Sometimes it is.

Ghost Dog: There is something to be learned from a rainstorm. When meeting with a sudden shower, you try not to get wet and run quickly along the road. But doing such things as passing under the eaves of houses, you still get wet. When you are resolved from the beginning, you will not be perplexed, though you still get the same soaking. This understanding extends to everything.

from 'Ghost Dog: The Way of the Samurai’ (1999) Starring Forest Whitaker (Bloodsport), John Tormey (Jungle 2 Jungle), Cliff Gorman (All That Jazz), and Henry Silva (Above the Law). Written and Directed by Jim Jarmusch (Coffee and Cigarettes).


Ghost Dog: The Way of the Samurai is a 1999 crime film written and directed by Jim Jarmusch. Forest Whitaker stars as the title character, the mysterious "Ghost Dog", a hitman in the employ of the Mafia, who follows the ancient code of the samurai as outlined in the book of Yamamoto Tsunetomo's recorded sayings, Hagakure. Critics have noted similarities between the movie and Jean-Pierre Melville's 1967 film Le Samouraï.

The film opened to largely positive critical reception, and was nominated for both an Independent Spirit Award for Best Feature and a César Award for Best Foreign Film.
Source: Wikipedia
Ghost Dog: The Way of the Samurai is found in death. Meditation on inevitable death should be performed daily. Every day when one's body and mind are at peace, one should meditate upon being ripped apart by arrows, rifles, spears, and swords. Being carried away by surging waves. Being thrown into the midst of a great fire. Being struck by lightning, being shaken to death by a great earthquake. Falling from thousand-foot cliffs, dying of disease, or committing seppuku at the death of one's master. And every day, without fail, one should consider himself as dead. This is the substance of the Way of the Samurai.

Ghost Dog: There is surely nothing other than the single purpose of the moment. A man's whole life is a succession of moment after moment. If one fully understands the present moment, there is nothing left to do, and nothing else to pursue.

Ghost Dog: Among the maxims on Lord Naoshige's wall, there was this one: "Matters of great concern should be treated lightly." Master Ittei commented, "Matters of small concern should be treated seriously.”

Ghost Dog: Our bodies are given life from the midst of nothingness. Existing where there is nothing is the meaning of the phrase "Form is emptiness." That all things are provided for by nothingness is the meaning of the phrase "Emptiness is form." One should not think that these are two separate things.

Ghost Dog: It is said that what is called the Spirit of an Age is something to which one cannot return. That this spirit gradually dissipates is due to the world's coming to an end. In the same way, a single year does not have just spring or summer. A single day, too, is the same. For this reason, although one would like to change today's world back to the spirit of one hundred years or more ago, it cannot be done. Thus it is important to make the best out of every generation.

Ghost Dog: It is bad when one thing becomes two. One should not look for anything else in the Way of the Samurai. It is the same for anything that is called a Way. If one understands things in this manner, he should be able to hear about all ways and be more and more in accord with his own.

Nobody: [after a mobster shoots his pigeon] Stupid fuckin' white man!

Ghost Dog: You know, in ancient cultures, bears were considered equal with men. 
Hunter: This ain't no ancient culture here, mister. 
Ghost Dog: Sometimes it is.

Ghost Dog: There is something to be learned from a rainstorm. When meeting with a sudden shower, you try not to get wet and run quickly along the road. But doing such things as passing under the eaves of houses, you still get wet. When you are resolved from the beginning, you will not be perplexed, though you still get the same soaking. This understanding extends to everything.

from 'Ghost Dog: The Way of the Samurai’ (1999) Starring Forest Whitaker (Bloodsport), John Tormey (Jungle 2 Jungle), Cliff Gorman (All That Jazz), and Henry Silva (Above the Law). Written and Directed by Jim Jarmusch (Coffee and Cigarettes).


Ghost Dog: The Way of the Samurai is a 1999 crime film written and directed by Jim Jarmusch. Forest Whitaker stars as the title character, the mysterious "Ghost Dog", a hitman in the employ of the Mafia, who follows the ancient code of the samurai as outlined in the book of Yamamoto Tsunetomo's recorded sayings, Hagakure. Critics have noted similarities between the movie and Jean-Pierre Melville's 1967 film Le Samouraï.

The film opened to largely positive critical reception, and was nominated for both an Independent Spirit Award for Best Feature and a César Award for Best Foreign Film.
Source: Wikipedia
Ghost Dog: The Way of the Samurai is found in death. Meditation on inevitable death should be performed daily. Every day when one's body and mind are at peace, one should meditate upon being ripped apart by arrows, rifles, spears, and swords. Being carried away by surging waves. Being thrown into the midst of a great fire. Being struck by lightning, being shaken to death by a great earthquake. Falling from thousand-foot cliffs, dying of disease, or committing seppuku at the death of one's master. And every day, without fail, one should consider himself as dead. This is the substance of the Way of the Samurai.

Ghost Dog: There is surely nothing other than the single purpose of the moment. A man's whole life is a succession of moment after moment. If one fully understands the present moment, there is nothing left to do, and nothing else to pursue.

Ghost Dog: Among the maxims on Lord Naoshige's wall, there was this one: "Matters of great concern should be treated lightly." Master Ittei commented, "Matters of small concern should be treated seriously.”

Ghost Dog: Our bodies are given life from the midst of nothingness. Existing where there is nothing is the meaning of the phrase "Form is emptiness." That all things are provided for by nothingness is the meaning of the phrase "Emptiness is form." One should not think that these are two separate things.

Ghost Dog: It is said that what is called the Spirit of an Age is something to which one cannot return. That this spirit gradually dissipates is due to the world's coming to an end. In the same way, a single year does not have just spring or summer. A single day, too, is the same. For this reason, although one would like to change today's world back to the spirit of one hundred years or more ago, it cannot be done. Thus it is important to make the best out of every generation.

Ghost Dog: It is bad when one thing becomes two. One should not look for anything else in the Way of the Samurai. It is the same for anything that is called a Way. If one understands things in this manner, he should be able to hear about all ways and be more and more in accord with his own.

Nobody: [after a mobster shoots his pigeon] Stupid fuckin' white man!

Ghost Dog: You know, in ancient cultures, bears were considered equal with men. 
Hunter: This ain't no ancient culture here, mister. 
Ghost Dog: Sometimes it is.

Ghost Dog: There is something to be learned from a rainstorm. When meeting with a sudden shower, you try not to get wet and run quickly along the road. But doing such things as passing under the eaves of houses, you still get wet. When you are resolved from the beginning, you will not be perplexed, though you still get the same soaking. This understanding extends to everything.

from 'Ghost Dog: The Way of the Samurai’ (1999) Starring Forest Whitaker (Bloodsport), John Tormey (Jungle 2 Jungle), Cliff Gorman (All That Jazz), and Henry Silva (Above the Law). Written and Directed by Jim Jarmusch (Coffee and Cigarettes).


Ghost Dog: The Way of the Samurai is a 1999 crime film written and directed by Jim Jarmusch. Forest Whitaker stars as the title character, the mysterious "Ghost Dog", a hitman in the employ of the Mafia, who follows the ancient code of the samurai as outlined in the book of Yamamoto Tsunetomo's recorded sayings, Hagakure. Critics have noted similarities between the movie and Jean-Pierre Melville's 1967 film Le Samouraï.

The film opened to largely positive critical reception, and was nominated for both an Independent Spirit Award for Best Feature and a César Award for Best Foreign Film.
Source: Wikipedia
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Ghost Dog: The Way of the Samurai Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 36 W x 36 H x 0.5 D in

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Ghost Dog: The Way of the Samurai is found in death. Meditation on inevitable death should be performed daily. Every day when one's body and mind are at peace, one should meditate upon being ripped apart by arrows, rifles, spears, and swords. Being carried away by surging waves. Being thrown into the midst of a great fire. Being struck by lightning, being shaken to death by a great earthquake. Falling from thousand-foot cliffs, dying of disease, or committing seppuku at the death of one's master. And every day, without fail, one should consider himself as dead. This is the substance of the Way of the Samurai. Ghost Dog: There is surely nothing other than the single purpose of the moment. A man's whole life is a succession of moment after moment. If one fully understands the present moment, there is nothing left to do, and nothing else to pursue. Ghost Dog: Among the maxims on Lord Naoshige's wall, there was this one: "Matters of great concern should be treated lightly." Master Ittei commented, "Matters of small concern should be treated seriously.” Ghost Dog: Our bodies are given life from the midst of nothingness. Existing where there is nothing is the meaning of the phrase "Form is emptiness." That all things are provided for by nothingness is the meaning of the phrase "Emptiness is form." One should not think that these are two separate things. Ghost Dog: It is said that what is called the Spirit of an Age is something to which one cannot return. That this spirit gradually dissipates is due to the world's coming to an end. In the same way, a single year does not have just spring or summer. A single day, too, is the same. For this reason, although one would like to change today's world back to the spirit of one hundred years or more ago, it cannot be done. Thus it is important to make the best out of every generation. Ghost Dog: It is bad when one thing becomes two. One should not look for anything else in the Way of the Samurai. It is the same for anything that is called a Way. If one understands things in this manner, he should be able to hear about all ways and be more and more in accord with his own. Nobody: [after a mobster shoots his pigeon] Stupid fuckin' white man! Ghost Dog: You know, in ancient cultures, bears were considered equal with men. Hunter: This ain't no ancient culture here, mister. Ghost Dog: Sometimes it is. Ghost Dog: There is something to be learned from a rainstorm. When meeting with a sudden shower, you try not to get wet and run quickly along the road. But doing such things as passing under the eaves of houses, you still get wet. When you are resolved from the beginning, you will not be perplexed, though you still get the same soaking. This understanding extends to everything. from 'Ghost Dog: The Way of the Samurai’ (1999) Starring Forest Whitaker (Bloodsport), John Tormey (Jungle 2 Jungle), Cliff Gorman (All That Jazz), and Henry Silva (Above the Law). Written and Directed by Jim Jarmusch (Coffee and Cigarettes). Ghost Dog: The Way of the Samurai is a 1999 crime film written and directed by Jim Jarmusch. Forest Whitaker stars as the title character, the mysterious "Ghost Dog", a hitman in the employ of the Mafia, who follows the ancient code of the samurai as outlined in the book of Yamamoto Tsunetomo's recorded sayings, Hagakure. Critics have noted similarities between the movie and Jean-Pierre Melville's 1967 film Le Samouraï. The film opened to largely positive critical reception, and was nominated for both an Independent Spirit Award for Best Feature and a César Award for Best Foreign Film. Source: Wikipedia

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Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:36 W x 36 H x 0.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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