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Gladioluses in a dark blue jug Painting

Ekaterina Dmitrieva

Russia

Painting, Oil on Canvas

Size: 27.6 W x 39.4 H x 0.8 D in

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About The Artwork

Gladiolas the most festive autumn flowers. I remember that with gladioli often children went on the First of September in school. (In Russia, school year starts on 1 September traditionally, it is a "celebration of knowledge" children go to school with bouquets of flowers) These huge flowers are higher than first-graders, and this looks very funny. I often went to school on the 1 September with gladioli, because its grew in abundance in country where were summer houses at any of our relatives and acquaintances. My mom put them in any package from bouquet presented earlier, puted a bow, and it turned out a very fine bouquet. To buy specially a bouquet of flowers for such a sad event as the beginning of the school year somehow did not want to, besides then all these bouquets were a bunched in a bucket, which at the usual time was used to wash the floors in the classroom. But when I became an artist, I didn't have to go to school anymore, my attitude to these wonderful flowers rethinked. I painted gladiolases many times in different techniques and different materials. These gladioluses were first exhibited at the Moscow International Art Salon “Big in small” in the Central House of Artists (CHA) in 2010, and the following year at the XVI Moscow Art MANEGE-2011 contemporary art fair as part of my project “Wanderers and Collectors”. In December 2012, the picture was included in my art catalog. From December 5, 2014 to January 11, 2015 the picture was exhibited at my solo exhibition "Seasons" in the CHA. (Central House of Artists in Moscow) Самые праздничные осенние цветы. Мне запомнилось, что именно с гладиолусами чаще всего дети шли Первого сентября в школу. Эти огромные цветы выше первоклашек, и это зрелище мне всегда казалось очень забавным. Я сама часто шла в школу Первого сентября именно с гладиолусами, так как именно они вырастали в изобилие на дачах у кого-нибудь из наших знакомых. Мама засовывала их в упаковку из-под подаренного ранее букета, приделывала бантик, и получался очень неплохой букет. Покупать специально букет цветов к такому печальному для меня событию как начало учебного года как-то не хотелось, к тому же потом все эти букеты стояли кучей в ведре, которое в обычное время использовали для мытья полов в классе. Но когда я уже стала художником, и мне больше не надо было идти в школу, то отношение к этим чудесным цветам переосмыслилось. Я писала их неисчисляемое количество раз в разных техниках и разных постановках. Эти гладиолусы впервые выставлялась на Московском международном художественном салоне “Большое в малом” в Центральном Доме Художника (ЦДХ) в 2010 году, а в следующем году на XVI Московской ярмарке современного искусства АРТМАНЕЖ-2011 в рамках моего проекта “Странники и собиратели”. В декабре 2012 года картина вошла в авторский каталог. С 5 декабря 2014 года по 11 января 2015 года картина выставлялась на персональной выставке “Времена года” в ЦДХ.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:27.6 W x 39.4 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I was born in Moscow on December 11, 1987. In every new piece of my art works there are more questions than answers; all of its are multilateral, it is exciting to look into them again and again finding hidden details, implicit accents, thinking of motives of the plot’s concept. In a series of paintings I decided to highlight still lifes paintings. Still life is always harmony. Because, in composing still life or bouquet, artist doing himself, as a rule, from the beginning to the end. Still life usually consists of items which are painter's property. As philologists have at home a library, sportsmen have sports equipment, and artists have a still-life fund. Usually, things get into it for a reason: they are specially bought, collected by acquaintances and passed from generation to generation in the family. All things in the painter's «Still-life Foundation» have a history. Along with the objects artist must also to depict the air. The viewer must be able to tell, without detective, it was hot in art workstudio or cold, what time of day, a fresh morning or a languorous evening. I never repeat my art-works and do not make copies. I speak Russian, English, Italian, French

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