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Glueon Painting

Dick Martin

United Kingdom

Painting, Acrylic on Canvas

Size: 23.6 W x 23.6 H x 1.6 D in

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About The Artwork

The inspiration for this painting comes from the components of atomic nuclei as investigated by the LHC (Large Hadron Collider the world's largest and most powerful particle collider, built by the European Organization for Nuclear Research (CERN) from 1998 to 2008). After accelerating particles up to near the speed of light they are made to collide in an explosion revealing different elemental particles of the atom. A major group of particles in atomic nuclei are quarks. There are six types of quarks, known as flavours: up, down, strange, charm, bottom, and top, also an anti-version of each type. Other elemental particles are also used. The title of the painting is the name of a quark or particle as felt appropriate. The painting is intended to be exciting close up as well as at a distance with new movements and colour combinations to be seen at every viewing. Please forgive all this info but I just love the idea of Science and Art coming together. I have used the idea of these collisions to express what the result might feel like. Colours are chosen and manipulated to give a harmonious and pleasing image to represent the quark. An original one-off painting. Signed on the back and ready to be hung. Frame not needed. If you have any questions please get in touch.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:23.6 W x 23.6 H x 1.6 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

The sculptures are made with a direct honesty to the nature of the material. Clay is a wonderful material that can be pulled, squashed, shaped and squeezed. It takes an impression like no other material and, being a basic "earth" material, it is a joy to work with. Natural and manufactured objects are used to make impressions and produce strong textures. The work shows the way as it progresses into a finished piece. The hand becomes as important as the eye and the mind. My work is nearly always conceptual. For me it is what the work represents, the creative thinking behind the image, which is of the greatest interest. Inspiration comes from an eclectic range of sources such as old and new philosophical ideas, popular culture, science, dance, poetry, mythology and ancient sources. After studying the Philosophy of Art at university I gradually became a practitioner as well as a passionate follower of Art. I now have work all over the world which is such a wonderful buzz! Painting:- I’m interested in paint, not as a material to create an illusion, but rather as a substance to be experimented with and celebrated. I like to explore the way paint moves and performs on the canvas with various textural elements. This produces a variety of fascinating sculptural and textural qualities. Often I include materials such as sand, gravel, pumice, and pieces of canvas and hessian. This builds up to give a beautiful and fascinating surface that has a sculptural quality and encourages touch and sensation as well as visual awareness. Additions are collected from places I have visited around the world. The physical act of applying paint I see as an exhilarating form of ritual, a dance and a demonstration of a moment of perception in time. I like the work to have a strong visual impact and to be interesting close up as well as from a distance.

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