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Hell in the Pacific Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 72 W x 40 H x 1.5 D in

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About The Artwork

American Pilot: How come you guys don't believe in God? Captain Tsuruhiko Kuroda: My log! American Pilot: Oh, for a second I thought you were a Jap. from ‘Hell in the Pacific’ (1968) Starring Toshiro Mifune (Throne of Blood) and Lee Marvin (Paint Your Wagon). Written by Alexander Jacobs (Point Blank), Eric Bercovici (Shogun), Reuben Bercovitch (Godzilla 1985), and Shinobu Hashimoto(Hara-Kiri). Directed by John Boorman (Excalibur). Hell in the Pacific is a 1968 World War II film directed by John Boorman and starring Lee Marvin and Toshirō Mifune, the only two actors in the film. It is based on the importance of human contact and the bond that can form between enemies if lacking other contact. John Boorman, CBE (/ˈbʊərmən/; born 18 January 1933) is a British filmmaker who is best known for his feature films such as Point Blank, Hell in the Pacific, Deliverance, Zardoz, Exorcist II: The Heretic, Excalibur, The Emerald Forest, Hope and Glory, The General, The Tailor of Panama and Queen and Country. He has directed 22 films and received five Academy Award nominations, twice for Best Director (for Deliverance, and Hope and Glory). He is also credited with creating the first Academy Award screeners to promote The Emerald Forest. In 2004 Boorman received the BAFTA Fellowship for lifetime achievement from the British Academy of Film and Television Arts. Toshiro Mifune (三船敏郎, Mifune Toshirō, April 1, 1920 – December 24, 1997) was a Japanese actor who appeared in over 150 feature films. He is best known for his 16-film collaboration (1948–1965) with Akira Kurosawa in such works as Rashomon, Seven Samurai, The Hidden Fortress, Throne of Blood, and Yojimbo. He also portrayed Miyamoto Musashi in Hiroshi Inagaki's Samurai Trilogy and one earlier Inagaki film, Lord Toranaga in the NBC television miniseries Shōgun, and Admiral Isoroku Yamamoto in three different films. Lee Marvin (February 19, 1924 – August 29, 1987) was an American film and television actor. Known for his distinctive voice and premature white hair, Marvin initially appeared in supporting roles, mostly villains, soldiers, and other hardboiled characters. A prominent television role was that of Detective Lieutenant Frank Ballinger in the crime series M Squad (1957–1960). Marvin is best remembered for his lead roles as "tough guy" characters such as Charlie Strom in The Killers (1964), Rico Fardan in The Professionals (1966), Major John Reisman in The Dirty Dozen, Walker in Point Blank (both 1967), and the Sergeant in The Big Red One (1980). One of Marvin's more notable movie projects was Cat Ballou (1965), a comedy Western in which he played dual roles. For portraying both gunfighter Kid Shelleen and criminal Tim Strawn, he won the Academy Award for Best Actor, along with a BAFTA Award, a Golden Globe Award, an NBR Award, and the Silver Bear for Best Actor. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:72 W x 40 H x 1.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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