VIEW IN MY ROOM
Her Beautiful Mind Painting
United Kingdom
Painting, Acrylic on Wood
Size: 29.9 W x 29.9 H x 0.8 D in
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About The Artwork
I spent a few hours coaching a workshop in my studio with a young woman and her young, beautiful mother. She had dementia. It is a cruel affliction. To take somebodies mind from them. They both enjoyed it as did I. Although I found it a profoundly moving experience. Being with two souls who clearly loved each other. When they left, I used the paint that was left over on her palette and painted this. I didn't go back to it, this represents my feelings at that moment in time. I called it, Her Beautiful Mind. If you are living with someone who has this terrible illness, I hope you will find some beauty in this painting, to ease your pain. It is acrylic on a cradled board, Caroline's colours, unframed with a charcoal-painted border with hanging hardware and signed on the back
Details & Dimensions
Painting:Acrylic on Wood
Original:One-of-a-kind Artwork
Size:29.9 W x 29.9 H x 0.8 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
I drift along the edge of abstraction and I often find myself diving into the deep realms of abstract expressionism, intuitively exploring the landscape of the natural world, of body, and of mind. I use gestural marks, colour, and texture to describe, the connection I have with a place or an experience and its energy and the impact it has on me. I use acrylics and mixed media, building layers using a variety of tools such as rags, spatulas, bits of plastic, and card as well as brushes. Then I scrape back into the paint to reveal a rich, textured, and sophisticated story. There may be as many as 10 layers of work, some hidden or with only a speck being revealed. I increasingly find myself painting what I feel, not what I see. A painting will reveal itself to me and after leaving it to settle for a few days I can read stories in the painting, which relate to recent experiences. I work from my studio in The Silk Mill in Somerset, England.
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