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VIEW IN MY ROOM

Hot Patootie Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 60 W x 72 H x 1.5 D in

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$4,500

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About The Artwork

Whatever happened to Saturday Night When you dressed up sharp and you felt alright It don't seem the same since cosmic light Came into my life, I thought I was divine I used to thump around with a chick who'd go And listen to the music on the radio A saxophone was blowing on a rock 'n' roll show You climbed in the back seat Really had a good time Hot patootie, bless my soul I really love that rock and roll Hot patootie, bless my soul I really love that rock and roll Hot patootie, bless my soul I really love that rock and roll Hot patootie, bless my soul I really love that rock and roll My head used to swim from the perfume I smelt My hands kinda fumbled with her white plastic belt I'd taste her baby pink lipstick and that's when I'd melt She'd whisper in my ear tonight, she really was mine Get back in front, put some hair oil on Buddy Holly was singing his very last song With your arms around you girl you try to sing along You felt pretty good, woo Really had a good time Hot patootie, bless my soul I really love that rock and roll Hot patootie, bless my soul I really love that rock and roll Hot patootie, bless my soul I really love that rock and roll Hot patootie, bless my soul I really love that rock and roll Hot patootie (Bless my soul) I really love that rock and roll Hot patootie (Bless my soul) I really love that rock and roll Hot patootie (Bless my soul) I really love that rock and roll Hot patootie (Bless my soul) I really love that rock and roll Hot patootie (Bless my soul) I really love that rock and roll Hot patootie (Bless my soul) I really love that rock and roll Hot patootie (Bless my soul) I really love that rock and roll Hot patootie (Bless my soul) I really love that rock and roll ‘Hot Patootie/Bless My Soul’ by Meat Loaf Songwriter: Richard O’Brien “Hot Patootie/Bless My Soul” is a song from theatrical and cinematographic productions of The Rocky Horror Show since 1973 to this day, including the 1975 original film, the 2015 tribute production celebrating 40 years, and the 2016 reimagining film. Music and lyrics were composed by Richard O'Brien back in 1972 while the original musical arrangements are from Richard Hartley. This is one of the seven songs that appear in every important soundtrack of Rocky Horror productions. It was originally performed by Paddy O'Hagan the original 1973 stage production, by Meat Loaf in the 1974 Roxy production in Los Angeles, the original Broadway production and the 1975 original film; also by David Cameron in the 1974 Australian production, by Gordon Kennedy in the 1990 West End Revival, by Lea DeLaria in the 2001 Broadway Revival, by John Stamos in the 2010 Glee episode, and by Adam Lambert in the 2016 reimagining TV film. Source: The Rocky Horror Wiki 
 
 The Rocky Horror Picture Show is the original soundtrack album to the 1975 film The Rocky Horror Picture Show, an adaptation of the musical The Rocky Horror Show that had opened in 1973. The soundtrack was released as an album in 1975 by Ode Records, produced by Richard Hartley.
 The album peaked at No. 49 on the Billboard 200 in 1978. It reached No. 12 on the Australian albums chart and No. 11 on the New Zealand albums chart. William Ruhlmann of AllMusic gave the album a star rating of five stars out of five and described it as the "definitive version of the [Rocky Horror] score". Following its initial release, the album was not successful, and was deleted everywhere but in Canada. Marty Scott, co-founder of Jem Records, obtained a licensing agreement from Ode Records owner Lou Adler, which enabled the album to be imported to the United States. Scott also obtained a production and distribution license from Adler, which resulted in renewed interest in the album. 
 
 The Rocky Horror Picture Show is a 1975 musical comedy horror film by 20th Century Fox, produced by Lou Adler and Michael White and directed by Jim Sharman. The screenplay was written by Sharman and actor Richard O'Brien, who is also a member of the cast. The film is based on the 1973 musical stage production The Rocky Horror Show, with music, book, and lyrics by O'Brien. The production is a parodytribute to the science fiction and horror B movies of the 1930s through to the early 1960s. Along with O'Brien, the film stars Tim Curry, Susan Sarandon, and Barry Bostwick and is narrated by Charles Gray with cast members from the original Royal Court Theatre, Roxy Theatre, and Belasco Theatre productions including Nell Campbell and Patricia Quinn. The story centres on a young engaged couple whose car breaks down in the rain near a castle where they seek a telephone to call for help. The castle or country home is occupied by strangers in elaborate costumes celebrating an annual convention. They discover the head of the house is Dr. Frank N. Furter, an apparently mad scientist who actually is an alien transvestite who creates a living muscle man in his laboratory. The couple are seduced separately by the mad scientist and eventually released by the servants who take control. The film was shot in the United Kingdom at Bray Studios and on location at an old country estate named Oakley Court, best known for its earlier use by Hammer Film Productions. A number of props and set pieces were reused from the Hammer horror films. Although the film is both a parody of and tribute to many kitschscience fiction and horror films, costume designer Sue Blane conducted no research for her designs. Blane stated that costumes from the film have directly affected the development of punk rock fashion trends such as ripped fishnets and dyed hair. Although largely critically panned on initial release, it soon became known as a midnight movie when audiences began participating with the film at the Waverly Theater in New York City in 1976. Audience members returned to the cinemas frequently and talked back to the screen and began dressing as the characters, spawning similar performance groups across the United States. At almost the same time, fans in costume at the King's Court Theater in Pittsburgh began performing alongside the film. This "shadow cast" mimed the actions on screen above and behind them, while lip-syncing their character's lines. Still in limited release forty-five years after its premiere, it is the longest-running theatrical release in film history. It is often shown close to Halloween. Today, the film has a large international cult following and has been considered by many as one of the greatest musical films of all time. It was selected for preservation in the United States National Film Registry by the Library of Congress in 2005. 
 
 Michael Lee Aday (born Marvin Lee Aday; September 27, 1947 – January 20, 2022), known professionally as Meat Loaf, was an American singer and actor. He was noted for his powerful, wide-ranging voice and theatrical live shows. He is on the list of best-selling music artists. His Bat Out of Hell trilogy — Bat Out of Hell (1977), Bat Out of Hell II: Back into Hell (1993), and Bat Out of Hell III: The Monster Is Loose (2006) — has sold more than 65 million albums worldwide. The first album stayed on the charts for over nine years, still sells an estimated 200,000 copies annually, and is on the list of best-selling albums. After the commercial success of Bat Out of Hell and Bat Out of Hell II: Back Into Hell, and earning a Grammy Award for Best Solo Rock Vocal Performance for the song "I'd Do Anything for Love", Aday nevertheless experienced some difficulty establishing a steady career within the United States. The key to this success was his popularity in Europe, especially in Great Britain and Ireland, with him receiving the 1994 Brit Award in the United Kingdom for best-selling album and single. He appeared in the 1997 film Spice World and he ranked 23rd for the number of weeks spent on the UK charts in 2006. He ranks 96th on VH1's "100 Greatest Artists of Hard Rock". Aday appeared in over 50 films and television shows, sometimes as himself or as characters resembling his stage persona. His film roles include Eddie in The Rocky Horror Picture Show (1975) and Robert Paulsen in Fight Club (1999). His early stage work included dual roles in the original Broadway theatre cast of The Rocky Horror Show. He also appeared in the musical Hair, both on and Off-Broadway. 
 Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:60 W x 72 H x 1.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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