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I Cannot Tell a Lie Painting

Laura Joan Levine

United States

Painting, Gouache on Paper

Size: 30 W x 22 H x 0.1 D in

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$500

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About The Artwork

For many years I have lived near Valley Forge Park, the site of George Washington's headquarters during the Revolutionary War. After hearing about the cherry tree myth about Washington as a young child confessing he hacked with his new hatchet at his father's cherry tree and saying "I cannot tell a lie", I was inspired to do this collage upon visiting Valley Forge Park and seeing a tree with berries or cherries of some sort growing on it. The cherry and leaf were cut from another painting of mine and pasted on the scribbled background. I liked the way the spontaneous, carefree nature of the design (watercolor being the perfect medium for creating this natural flow) related well to the idea of honesty. (signed and dated (2004) on front and back, watercolor, gouache, and paper cutout from prior painting on archival quality moderate thickness watercolor paper)

Details & Dimensions

Painting:Gouache on Paper

Original:One-of-a-kind Artwork

Size:30 W x 22 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I have a background in Art Therapy, Art History, and Studio Art. My analyses of my artworks on here are mostly afterthought, as I primarily work in a more intuitive fashion. Having grown up in New York City, with city life feeling so hectic and artificial to me, I've always craved the spontaneous harmonies of nature. Family trips to the Caribbean stimulated this longing and influenced the kind of imagery I was to use, i.e., often of an aquatic, colorful, and exotic nature. My work in the art therapy field gave me an understanding of the crucial role projection plays in both the making and viewing of a work of art. This realization stimulated me to work in a stream-of-consciousness way, enhancing the hazy, often amorphous dream-like feel of my work so as to give full reign to the subconscious and encourage projection in the viewer. Viewers do often project their thoughts onto my pieces; I expect the fluidity of the imagery to invite this sort of reaction. When I moved to the Philadelphia suburbs in the mid-nineties, I now realize I must have absorbed the colorist tradition of this region, becoming even more immersed in the expressive potential of color than I was to begin with. I also began to find inspiration in the ideas and work of abstract expressionists like Kandinsky. His book "Concerning the Spiritual in Art" particularly affected me with its emphasis on re-invigorating the modern psyche through a use of vibrant colors, shapes, and rhythmic compositions. When I saw Hilma af Klint's retrospective at the Guggenheim in 2018, I felt a deep kinship with her. Other influences include Fauvism, with its bold colors and Surrealism, with its dreamlike qualities. Related to my interest in projection is my recent focus on the visual aspects of the digital age. Some of my latest paintings are explorations of the visual and psychological effects of pixelated images. Artwork not shown on here can be seen at https://laurajoan-levine.pixels.com I can be contacted at LauraJoanLevine.outlook.com and get updates on exhibitions @laurajoanlevine on Instagram.

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