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VIEW IN MY ROOM

'I could light the night up with my soul on fire' Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 60 W x 40 H x 1.5 D in

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Think about it, there must be higher love Down in the heart or hidden in the stars above Without it, life is wasted time Look inside your heart, I'll look inside mine Things look so bad everywhere In this whole world, what is fair? We walk blind and we try to see Falling behind in what could be Bring me a higher love Bring me a higher love (oh oh) Bring me a higher love Where's that higher love I keep thinking of? Worlds are turning and we're just hanging on Facing our fear and standing out there alone A yearning, and it's real to me There must be someone who's feeling for me Things look so bad everywhere In this whole world, what is fair? We walk blind and we try to see Falling behind in what could be Bring me a higher love Bring me a higher love (oh oh) Bring me a higher love Where's that higher love I keep thinking of? Bring me a higher love Bring me a higher love (oh oh) Bring be a higher love I could rise above on a higher love I will wait for it I'm not too late for it Until then, I'll sing my song To cheer the night along (bring it) I could light the night up with my soul on fire I could make the sun shine from pure desire Let me feel that love come over me Let me feel how strong it could be Oh oh oh Bring me a higher love Bring me a higher love (oh oh) Bring me a higher love Where's that higher love I keep thinking of? Bring me a higher love Bring me a higher love, oh oh (bring me) Bring me a higher love (oh oh) Bring me a higher love (oh oh) Bring me a higher love Bring me a higher love Bring me a higher love (oh oh) I said, bring me Bring me a higher love Bring me a higher love (oh oh oh) Bring me a higher love (whoa whoa whoa) (Bring me higher love) bring me a higher love, oh oh (Bring me higher love) bring me a higher love (bring it on) There's that love, bring me higher love Bring me a higher love Bring me a higher love (I said bring) Bring me a higher love (oh yeah) Bring me higher love Bring me a higher love (higher, high, higher) Bring me a higher love Bring me a higher love ‘Higher Love’ by Steve Winwood Songwriters: Steve Winwood / Will Jennings "Higher Love" is a 1986 song by English singer Steve Winwood. It was the first single released from his fourth solo LP, Back in the High Life. It was written by Winwood and Will Jennings and produced by Russ Titelman and Winwood. The female vocals on the song were performed by Chaka Khan, who also appeared in the promotional music video. "Higher Love" was Winwood's first Billboard Hot 100 number-one song, topping the chart for one week. It was preceded by Madonna's "Papa Don't Preach" and followed by "Venus" by Bananarama. The song also spent four weeks atop the US Billboard Album Rock Tracks chart and earned two Grammy Awards, for Record of the Year and Best Male Pop Vocal Performance. It also peaked at number 13 in the United Kingdom, Winwood's highest charting solo entry there, and reached number one in Canada for a week. Whitney Houston covered the song in 1990 and it was included as a bonus track on the Japanese edition of her third studio album I'm Your Baby Tonight. James Vincent McMorrow covered the song in 2011, on his first album "Early in the Morning". In June 2019, Norwegian DJ Kygo reworked Houston's cover into a tropical house track and it was released as a single worldwide, and on August 21, 2019, their version hit number one on Billboard magazine's Dance Club Songs chart, making it Houston's highest-charting posthumous release to date. Music engineer Tom Lord-Alge had suggested moving one of JR's impromptu drum fills to the beginning of "Higher Love", by assigning a timing offset to one of two tape machines such that they first played the drum fill followed by the song coming in on the beat. Titelman was happy with the result and decided to open the album with this drum fill. JR used a Latinrimshot technique across the top of his classic seamless brass Ludwig Black Beauty snare, unmuffled, with its snare wires disengaged, to emulate the sound of a timbale. He said, "it's one of the best drum intros I've ever played." Producer Russ Titelman remembered the fill being played ad lib by JR while his friend Chaka Khan was preparing to sing her background vocals on "Higher Love", causing Khan to exclaim "What is that shit? It sounds like voodoo shit!" Tom Lord-Alge agreed that the drum fill was played as a lark after JR completed his drum overdubs for "Higher Love". Tom said, "It was one of those happy accidents, and it happened because Chris always taught me that if the tape is rolling and there's a musician in the studio, make sure the tape machine is in record!” Back in the High Life is the fourth solo album by English singer, songwriter, and multi-instrumentalist Steve Winwood, released on 30 June 1986. The album proved to be Winwood's biggest success to that date, certified Gold in the UK and 3× Platinum in the US, and it reached the top twenty in most Western countries. It collected three Grammy Awards and generated five hit singles, starting with "Higher Love" which became Winwood's first Billboard Hot 100 number-one chart topper, coming 20 years after he first entered that chart with "Keep on Running" by the Spencer Davis Group. Other global hit singles from the album were "Freedom Overspill", "Back in the High Life Again" and "The Finer Things". The single "Split Decision", with ex-Eagles guitarist Joe Walsh, was a US hit. Musically, the album was polished and sophisticated, representative of pop production in the 1980s, featuring Winwood's style of layered synthesizers and electronic drums that he had established with Arc of a Diver (1980). Unlike his prior two albums, on which he played every instrument himself, Winwood made extensive use of session musicians for this album, including Joe Walsh and Nile Rogers on guitars and JR Robinson on drums. Winwood himself also performed on a large number of instruments, combining live-played instruments with synthesizers and programming. Prominent backing vocals were provided by established stars, including Chaka Khan on "Higher Love", James Ingram on "Finer Things", and James Taylor on the title track. The album showcased Winwood's lifelong fascination with the fusion of styles, bringing folk, gospel and Caribbean sounds into a rock, pop and R&B milieu. As with his previous albums, Back in the High Lifeserved as an uplifting alternative to the angry or political punk that was sweeping the rock world. The album was recorded and released during a time of significant change in Winwood's personal life. After touring North America to promote the album during August–November 1986, Winwood divorced in England and then married in New York City. He bought a second home in Nashville where he organized his next project, Chronicles, a retrospective album of earlier songs including some remixes engineered by Tom Lord-Alge, whom Winwood had befriended in the making of Back in the High Life. Stephen Lawrence Winwood (born 12 May 1948) is an English singer, songwriter, and musician whose genres include blue-eyed soul, rhythm and blues, blues rock, and pop rock. Though primarily a vocalist and keyboard player, Winwood proficiently plays other instruments, including drums, mandolin, guitars, bass, and saxophone. Winwood was a key member of several major acts of the 1960s and 1970s, including the Spencer Davis Group, Traffic, and Blind Faith. Beginning in the 1980s, his solo career took off and he had a number of hit singles, including "While You See a Chance" (1980) from the album Arc of a Diver and "Valerie" (1982) from Talking Back to the Night. His 1986 album Back in the High Life marked his career zenith, with hit singles including "Back in the High Life Again", "The Finer Things", and the US Billboard Hot 100 number one hit "Higher Love". He found the top of the Hot 100 again with "Roll with It" (1988) from the album of the same name, and "Holding On" also charting highly the same year. While his hit singles ceased at the end of the 1980s, he continued to release new albums through 2008, when Nine Lives, his latest album, was released. Since then, while he has not released any new albums, he still continues to tour alongside other classic rock acts, most recently in 2020 with Steely Dan. He was inducted into the Rock and Roll Hall of Fame as a member of Traffic in 2004. In 2005, Winwood was honoured as a BMI Icon at the annual BMI London Awards for his "enduring influence on generations of music makers". In 2008, Rolling Stone ranked Winwood No. 33 in its 100 Greatest Singers of All Time. Winwood has won two Grammy Awards. He was nominated twice for a Brit Award for Best British Male Artist: 1988 and 1989. In 2011, he received the Ivor Novello Award from the British Academy of Songwriters, Composers and Authors for Outstanding Song Collection. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:60 W x 40 H x 1.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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