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"I DON'T CARE." Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 36 W x 60 H x 1.5 D in

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About The Artwork

Dr. Richard Kimble: [Holding Gerard at gunpoint] I didn't kill my wife! Deputy Marshal Samuel Gerard: I DON'T CARE. Cosmo Renfro: [after Kimble has just lept off the dam to escape] What happened? Where'd he go? Deputy Marshal Samuel Gerard: The guy did a Peter Pan right off of this dam, right here. Cosmo Renfro: What? Deputy Marshal Samuel Gerard: Yeah. BOOM. Cosmo Renfro: [stunned] Holy shit... Can we go home now...? Deputy Marshal Samuel Gerard: [flustered] No... Marshal Biggs: If they can dye the river green today, why can't they dye it blue the other 364 days of the year? Marshal Henry: I may be crazy but that train sounds like an el. Cosmo Renfro: St Louis doesn't have an elevated train. Deputy Marshal Samuel Gerard: How do you know it's an elevated train? Marshal Stevens: I think he's right, I lived under an el for 20 years. Deputy Marshal Samuel Gerard: Then you can explain the difference in the sound of an elevated train as opposed to a train that's running along the ground. You must have ears like a eagle, play that back, I wanna hear the sound of an elevated train. Deputy Marshal Samuel Gerard: Newman, what are you doing? Newman: I'm thinking. Deputy Marshal Samuel Gerard: Well, think me up a cup of coffee and a chocolate doughnut with some of those little sprinkles on top, while you're thinking. Dr. Anne Eastman: Hey, Do you have a particular interest in our patient's X-Rays? Dr. Richard Kimble: What do you mean? Dr. Anne Eastman: I saw you looking at that boy's chest film. Dr. Richard Kimble: It's a hobby of mine. Dr. Anne Eastman: It's a hobby, really? What are your other hobbies - brain surgery? Deputy Marshal Samuel Gerard: Why did Richard Kimble kill his wife? Detective Kelly: He did it for the money. Deputy Marshal Samuel Gerard: What do you mean, he did it for the money? He's a doctor. He's already rich. Detective Kelly: But she was more rich. (WHAT?! Bring in the character witnesses. Witness #1: I don’t think I have ever seen a couple so in love. Witness #2: To be honest, I was insanely jealous of how close the two of them were. Witness #3: Wait, what? You think Richard did it? No... you’re very wrong.) State Trooper: [sees Kimble in hospital hallway, disguised as a doctor] Hey, Doc! We're looking for a prisoner from that bus-train wreck a couple of hours ago, might be hurt. Dr. Richard Kimble: Uh, what does he look like? State Trooper: 6'1, 180, brown hair, brown eyes, beard. See anyone like that around? Dr. Richard Kimble: Every time I look in the mirror, pal - except for the beard, of course! Marshal Biggs: This is hinky, this guy's a college graduate, he went to medical school, he's not gonna come through all the security, go to the county lockup, to find someone his own people say does not exist. Hinky. Deputy Marshal Samuel Gerard: Well, what does that mean Biggs, 'hinky'? Marshal Biggs: I don't know. Strange. Marshal Henry: Weird. Deputy Marshal Samuel Gerard: Well, why don't you say strange or weird? I mean hinky, that has no meaning. Marshal Biggs: Well, we say hinky. Deputy Marshal Samuel Gerard: I don't want you guys using words around me that have no meaning. I'm taking the stairs and walking. Marshal Biggs: [sotto voice] How about 'bullshit?' How about 'bullshit', Sam? Cosmo Renfro: When I die, I wanna come back just like you. Deputy Marshal Samuel Gerard: Oh, you mean happy and handsome? from ‘The Fugitive’ (1993) Starring Julianne Moore (Children of Men), Sela Ward (54), Joe Pantoliano (Guido the Killer Pimp), Andreas Katsulas (Blame It on the Bellboy), Harrison Ford (Kung Fu), Daniel Roebuck (U.S. Marshalls), L. Scott Caldwell (Lost), Tommy Lee Jones (The Amazing Howard Hughes), Eddie Bo Smith Jr. (Under Siege), Jeroen Krabbé (Lundgren’s Punisher), and Jane Lynch (A Mighty Wind). Written by David Twohy (Pitch Black) and Jeb Stuart (Die Hard). Directed by Andrew Davis (Above the Law). The Fugitive is a 1993 American action thriller film based on the 1960s television series of the same name created by Roy Huggins. The film was directed by Andrew Davis and stars Harrison Ford and Tommy Lee Jones, with supporting roles by Sela Ward, Joe Pantoliano, Andreas Katsulas, and Jeroen Krabbé. The screenplay was written by David Twohy and Jeb Stuart, from a story by Twohy. After being framed for the murder of his wife and unjustly sentenced to death, Dr. Richard Kimble escapes from custody (following a bus crash) and sets out to find his wife's actual killer, capture him, and clear his name while being hunted by the police and a team of US Marshals. The Fugitive premiered in the United States on August 6, 1993, and was a critical and commercial success, grossing nearly $370 million against a $44 million budget. It was the third-highest-grossing film of 1993 domestically, with an estimated 44 million tickets sold in the U.S. It was nominated for seven Academy Awards including Best Picture; Jones won the Oscar for Best Supporting Actor. It has come to be viewed as one of the greatest action films of the 1990s. It was followed by a 1998 spin-off, U.S. Marshals, in which Jones reprised his role as Deputy Marshal Gerard along with some others of his earlier Marshals team. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:36 W x 60 H x 1.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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