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'If I had a voice, I would sing' Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 30 W x 30 H x 0.5 D in

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About The Artwork

This will never end 'cause I want more More, give me more Give me more This will never end 'cause I want more More, give me more Give me more If I had a heart I could love you If I had a voice I would sing After the night when I wake up I'll see what tomorrow brings Ah ah, ah ah Ah ah, ah ah Ah ah, ah ah If I had a voice, I would sing Dangling feet from window frame Will I ever ever reach the floor? More, give me more, give me more Crushed and filled with all I found Underneath and inside just to come around More, give me more, give me more Ah ah, ah ah Ah ah, ah ah Ah ah, ah ah If I had a voice, I would sing ‘If I Had a Heart’ by Fever Ray Songwriter: Karin Elisabeth Dreijer "If I Had a Heart" is a song performed, written, and produced by Swedish recording artist Fever Ray (Karin Dreijer). It was released as the lead single from their self-titled debut album, Fever Ray (2009), marking Ray's debut single as a solo artist, after their work with their previous band, The Knife. The track was first released digitally in Sweden and across Europe on 15 December 2008 by Rabid Records, followed by a digital EP release on 26 January 2009. It was later released on CD, 7", and 12" formats in early 2009. The single's B-sidepremiered three days prior to the single release on Stereogum and is a remix of the track done by English experimental duo Fuck Buttons, the duo's maiden work as remixers. The song takes on a generally unconventional, dark, and experimental style with its slow tempo, organ backing, repetitive synth beat, and distinct vocals. Dreijer teamed up with long-term production partner Christoffer Berg (well known for his work with The Knife) for the production of "If I Had a Heart". The single, like the rest of the tracks on Fever Ray, was written by Dreijer themself. The lyrics were inspired by observation of their young children — a motif evident in the lyrics "Dangling feet from window frame / Will they ever ever reach the floor / More give me more give me more". Also featured on the single is a remix by Stockholm-based techno/electropop artist Familjen. In a Q&A, Dreijer stated that they achieved the pulsating production in the song by sampling an acoustic guitar recording to make a loop. The official video, directed by Andreas Nilsson, was nominated for Best Indie/Alternative at the 2009 UK Music Video Awards. Fever Ray is the debut solo studio album by Fever Ray, an alias of Karin Dreijer of Swedish electronic music duo The Knife. It was released on 12 January 2009 by Rabid Records. The album spawned four singles: "If I Had a Heart", "When I Grow Up", "Triangle Walks" and "Seven”. The Knife were a Swedish electronic music duo from Gothenburg, formed in 1999. The group consisted of siblings Karin and Olof Dreijer, who together also run their own record company, Rabid Records. They gained a large international following in response to their 2003 album Deep Cuts. The duo's first tour took place in 2006, along with the release of their critically acclaimed album Silent Shout. They have won a number of Swedish Grammis, but refuse to attend awards ceremonies. They have appeared in public wearing Venetian masks. Karin released a solo album under the name Fever Ray in 2009, while Olof released several EPs as Oni Ayhun in late 2009 and early 2010. The Knife disbanded in November 2014 after releasing their acclaimed 2013 album Shaking the Habitual and completing its attendant tour. Karin Elisabeth Dreijer (born 7 April 1975) is a Swedish singer-songwriter and record producer. Dreijer was one half of the electronic music duo the Knife, formed with their brother Olof Dreijer. Dreijer released their debut solo album under the alias Fever Ray in January 2009. Their second studio album, Plunge, under the same alias, was released in October 2017. Dreijer's vocal style is notable for both shrill and deep tones, and also the use of multitracked vocals, with different uses of pitch-shifting technology on each track, creating an intricate and mysterious effect. Visually, they employ the use of masks, face and body paint, intricate costumes, and other theatrical elements in photo shoots, videos and live performances, during which they often perform behind a gauze screen that partially obscures the audience's view. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:30 W x 30 H x 0.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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