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"In Between Things" Painting

→ Agata Gorna, Poland

Painting, Acrylic on Canvas

21.7 W x 29.5 H in

Ready to Hang

$1,955

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


This is neither an ordinary scene nor a traditional still life. The chair, the cloth, the fruit and the ears of grain become signs of transience, ripening and the ceaseless cycle of life, while the egg stands for the beginning, for birth and dormant potential. The pairing of intense, warm colors wit...

Year Created:

2025

Subject:

Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

21.7 W x 29.5 H x 0.6 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Poland.

Customs:

Shipments from Poland may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Agata Gorna

About the Artist

Agata Gorna

Poland

I'm most interested in shadow in my paintings. I like it when dark spots dominate the composition and when not everything is immediately visible. Sometimes I feel like you can see more in shadow than in full light, because it leaves room for the imagination.

I'm interested in the moment when form begins to emerge from the darkness. A streak of light, a glow, or a strong color is enough to momentarily reveal a face, an object, or a fragment of space. Light doesn't have to be natural for me - it can be cool, warm, sharp, or soft, depending on the emotion and energy I want to convey.

I don't want to reveal everything. I prefer when part of the painting remains in shadow, and form appears only in fragments. This tension between what is hidden and what is momentarily revealed is most important to me.

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