VIEW IN MY ROOM
Belgium
Painting, Oil on Canvas
Size: 63 W x 47.2 H x 1.8 D in
Ships in a Crate
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?? ℕ?????? Toi qui l’as laissé planter Des pâquerettes dans tes cheveux Et des ronces sous ta peau Il faudra bien un jour Que tu pleures le sel de sa bouche Et que sonne le glas Plus rien ne poussera Sur les tombes et les gravats Ni dans un ventre mort Tu écriras les derniers mots du livre À la lame du rasoir Retourne toi Pour vomir La bile de ses corbeaux Le soleil d’ambre et de plomb N’entend pas le silence hurlant de l’abandon Et t’offre chaque matin Une lumière à croquer à pleine dents Catharsis Alegrìa by SP, 24/12/2019 "Memento mori: even cathedrals are not eternal." My painting is as much to read as to see. It evokes the reminiscence of being. How to retain what escapes? Can we resign ourselves to oblivion - the very oblivion of famous women who, through their commitment, often their resistance, have marked our history? The title of the series certainly contains part of the answer. It is thus well beyond the mimetic representation of portraits and bodies that I question memory. My painting is posed, in movement, stretched, faded, making any representation appear or disappear. All this gives an expressive dimension maintaining a barely revealed relationship with literature and photography...
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:63 W x 47.2 H x 1.8 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Belgium.
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Belgium
My life course has relentlessly imposed evanescence on my mind. The title of this artwork is: "Memento mori: even cathedrals are not eternal." My painting is as much to read as to see. It evokes the reminiscence of being. How to retain what escapes? Can we resign ourselves to oblivion - the very oblivion of famous women who, through their commitment, often their resistance, have marked our history? The title of the series certainly contains part of the answer. It is thus well beyond the mimetic representation of portraits and bodies that I question memory. My painting is posed, in movement, stretched, faded, making any representation appear or disappear. All this gives an expressive dimension maintaining a barely revealed relationship with literature and photography...
Artist featured by Saatchi Art in a collection
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