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Inner Garden Painting
United Kingdom
Painting, Oil on Canvas
Size: 39.4 W x 47.2 H x 1.2 D in
Ships in a Crate
Artist Recognition
Artist featured in a collection
About The Artwork
"Inner Garden" invites viewers into a mystical realm of introspection and self-discovery. The primary medium used in this artwork is oil paint, with a dark color palette that evokes a sense of mystery, depth, and introspection. The painting features a central figure, depicted with a glitchy body with no defined gender. This representation symbolizes the complexities and fluidity of identity and challenges traditional notions of form and existence. The glitchy effect adds a sense of digital distortion, suggesting the interplay between the physical and virtual worlds. In "Inner Garden," the artist uses elements of mixed media by incorporating actual dry leaves and flowers onto the canvas. These organic materials serve as a metaphor for the beauty and resilience found within the inner self. The integration of these elements adds texture and tactile quality to the artwork, further emphasizing the connection between humanity and the natural world. The inspiration for "Inner Garden" stems from a deep exploration of the inner landscape, the hidden depths of the self, and the continuous process of self-discovery. The artist draws inspiration from the introspective journey, embracing the complexities and contradictions of personal identity, and celebrating the beauty found within the inner realms.Through this painting, the artist aims to evoke a sense of introspection and encourage viewers to embark on their own inner journey. It prompts reflection on themes of identity, self-exploration, and the interconnectedness between the digital and natural worlds. "Inner Garden" serves as a visual representation of the inner landscapes that exist within each individual, inviting viewers to explore their own depths and connect with their inner selves. It celebrates the diversity of identity and challenges conventional boundaries, encouraging viewers to embrace their own unique and ever-evolving identities.
Details & Dimensions
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:39.4 W x 47.2 H x 1.2 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
For me, constantly moving between countries, not verbal, but the visual language has become an actual form of communication. My art is about our inner processes, often mirroring in the outer world. Being born in a multicultural environment, I consider myself a citizen of the world. I combine elements of different times and cultural communities to show the absence of the need for separation, labeling. After all, we form all this together, in co-existence. Nature with its processes has become both my source of inspiration and the most suitable material for my works. I am interested in its symbolic properties, intertextuality, transformative qualities, energy, and mood. I unite opposites, such as the tenderness of flowers and the hardness of epoxy resin, thereby revealing the ambivalence of being. I tear objects out of their natural cycle, idealizing them, transforming the finite into a semblance of the infinite. My work focuses on our notion and perception of time. I celebrate the beauty of imperfection because every flaw is a trace of the inexorable elusiveness of time, evidence of experiential involvement, and, thus, an organ of self-identification. That’s why the contingency of the process and the errors resulting from the experimental move are important to my practice.
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