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Painting, Oil on Canvas
Size: 39.4 W x 39.4 H x 1.5 D in
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$2,560
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ABOUT THE ARTWORK
In this large scale painting, I was fascinated by the shapes and the sense of space and depth formed by the arches. The designer is the incredible Pierre Yovanovitch, whose talent I have very much admire. In the composition, I have used a strong light, a combination of imasto technique and graphic outlines, trying to build an atmosphere that is reminiscent of ancient architecture. I particularly enjoyed painting the elegant and gracefully curved shapes of the soft furniture and the harmonious, symmetrical arches above them. The painting is completed over a stretched canvas and can be displayed without an outer frame.
Original Created:
2022
Subjects:
Materials:
Mediums:
DETAILS AND DIMENSIONS
Painting:
Oil on Canvas
Original:
One-of-a-kind Artwork
Size:
39.4 W x 39.4 H x 1.5 D in
Frame:
Not Framed
Ready to Hang:
Yes
Packaging:
Ships in a Box
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United Kingdom.
Customs:
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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Natasha Chilingirova
United Kingdom
I studied Fine art at "St. St. Cyril and Methodius" University of Veliko Tarnovo, Bulgaria. In 2001 I obtained my master degree in painting with the speciality of Pedagogic of Fine Art. In 2003 I have completed an extra mural course of education for acquiring additional professional training in the speciality of Painting. My mentor was Professor Nicolai Ruschukliev. I thoroughly enjoy painting landscapes, interiors, still-life, figures and portraits. The oil impasto technique, provoke me to build a thick texture, often using a palette knife or finger strokes. Because of the vibrant and bold colours I use, a great part of the forms appear semi-abstract, less defined and expressive, until observed from a distance. With the portraits, I prefer to explore a more precise, realistic approach, as it helps me to reach the character of the model.
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