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Interior with bowl and red fruit Painting

Alice Tournikioti

Greece

Painting, Oil on Canvas

Size: 39.4 W x 70.9 H x 0.8 D in

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About The Artwork

The “Interior with bowl and red fruit” is yet another example of the way objects of daily use, such as a table and a bowl with fruit are liberated from their ordinary functions and acquire pictorial gravity in the hands of Alice. A decorative column on the table becomes a dominant element through its diagonal placement in the composition, providing a sharp, “sudden” division of the plane in two parts that enhances in turn the whole visual effect of force that characterizes the painting. Alice unites the power of the forms with the beauty and vigour of nature without concerns to depict them meticulously, but to communicate their quintessence. At first sight, the bold contrast of the black and the yellow areas provides the center of focus for the viewers’ eyes and then he/she is led to explore the rest of the details, mostly on the upper part of the composition.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:39.4 W x 70.9 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Alice Tournikioti has presented her works in Greece (Athens, Mykonos, Santorini, Zakynthos, Nafplio, Kalamata, Thessaloniki, Hydra), Europe (Geneva, Cyprus, Madrid, Berlin, Florence, Rome), Turkey (Istanbul), Asia (Tokyo) and America (New York). Her works are also in the collections of the National Bank, the Bank of Greece, Alpha Bank, Commercial Bank, Eurobank as well as the Vorre Museum and the National Gallery in Rhodes, and also in many private collections. The viewer studies and penetrates the realities that the painter shows, as her subjects are distinguished by a deep nostalgia and a sensual exoticism, while at the same time they dispose of sincerity and the appearance of truth, without ever focusing of the specific. Alice paints with deep sincerity and creative liberty, depicting figures and their environment through what feels like automatic writing. She draws in paint and colors with drawing, at the moment when space gives birth to the figures and these determine its self signifiers. Her unforced brush strokes, full of light and colour, power and sensitivity, boldness and imposition, liquidity and speed, thickness and in other places transparency, transers us to a blooming climate, there where everything is over and beginning again, on the slopes of frgetfulness and in the expanses of gazing. Alice’s figures, at times solitary and others surrounded, convey the loving relationship, the reconciliation of contrasts and comradeship. They also convey their optimism and desire for life, to us, through an “nnocence” of her look, outflanking the dead ends with revolutions.

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