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'It's a street in a strange world' Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 40 W x 40 H x 1.5 D in

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A man walks down the street He says, "Why am I soft in the middle, now? Why am I soft in the middle? The rest of my life is so hard I need a photo-opportunity I want a shot at redemption Don't want to end up a cartoon In a cartoon graveyard" Bonedigger, Bonedigger Dogs in the moonlight Far away in my well-lit door Mr. Beerbelly, Beerbelly Get these mutts away from me You know, I don't find this stuff amusing anymore If you'll be my bodyguard I can be your long lost pal I can call you Betty And Betty, when you call me, you can call me Al A man walks down the street He says, "Why am I short of attention? Got a short little span of attention And, whoa, my nights are so long Where's my wife and family? What if I die here? Who'll be my role model Now that my role model is gone, gone?" He ducked back down the alley With some roly-poly little bat-faced girl All along, along There were incidents and accidents There were hints and allegations If you'll be my bodyguard I can be your long lost pal I can call you Betty And Betty, when you call me, you can call me Al Call me Al A man walks down the street It's a street in a strange world Maybe it's the third world Maybe it's his first time around Doesn't speak the language He holds no currency He is a foreign man He is surrounded by the sound, the sound Cattle in the marketplace Scatterings and orphanages He looks around, around He sees angels in the architecture Spinning in infinity He says, "Amen and Hallelujah!" If you'll be my bodyguard I can be your long lost pal I can call you Betty And Betty, when you call me, you can call me Al Call me Na na na na, na na na na Na na na na, na na na-na na-na Na na na na, na-na na-na na na Na na na na, na na na na If you'll be my bodyguard I can call you Betty If you'll be my bodyguard I can call you Betty If you'll be my bodyguard ‘Call Me Al’ by Paul Simon Songwriter: Paul Simon "You Can Call Me Al" is a song by American singer-songwriter Paul Simon. It was the lead single from his seventh studio album, Graceland (1986), released on Warner Bros. Records. Written by Simon, its lyrics follow an individual seemingly experiencing a midlife crisis. Its lyrics were partially inspired by Simon's trip to South Africa and experience with its culture. Released in September 1986, "You Can Call Me Al" became one of Simon's biggest solo hits, reaching the top five in seven countries. The names in the song came from an incident at a party that Simon went to with his then-wife Peggy Harper. French composer and conductor Pierre Boulez, who was attending the same party, mistakenly referred to Paul as "Al" and to Peggy as "Betty", inspiring Simon to write a song. The lyrics can be interpreted as describing a man experiencing a midlife crisis ("Where's my wife and family? What if I die here? Who'll be my role model?"). However, as Paul Simon himself explained during the Graceland episode of the Classic Albums documentary series, by the third verse the lyrics move from a generic portrait-like perspective to a personal and autobiographical one, as he describes his journey to South Africa which inspired the entire album. The song opens simply, with its protagonist wondering aloud why his life is difficult, amid other questions. Simon structured the song's lyrics in a way that listeners would be given the simplest information first, before getting abstract with his imagery in the song's third verse: "Because there's been a structure, [...] those abstract images, they will come down and fall into one of the slots that the mind has already made up about the structure of the song.” Graceland is the seventh solo studio album by American singer-songwriter Paul Simon. It was produced by Simon, engineered by Roy Halee and released on August 25, 1986, by Warner Bros. Records. In the early 1980s, Simon's relationship with his former musical partner Art Garfunkel had deteriorated, his marriage to actress Carrie Fisher had collapsed, and his previous record, Hearts and Bones (1983), had been a commercial failure. In 1984, after a period of depression, Simon became fascinated by a bootleg cassette of mbaqanga, South African street music. He and Halee visited Johannesburg, where they spent two weeks recording with South African musicians. Further recordings were held in the United States, with guest musicians including Linda Ronstadt, the Everly Brothers, Louisiana band Good Rockin' Dopsie and the Twisters, and Mexican-American band Los Lobos. Graceland features an eclectic mixture of genres, including pop, rock, a cappella, zydeco, isicathamiya and mbaqanga. Simon wrote songs inspired by the recordings made in Johannesburg, collaborating with African and American artists. He received criticism for breaking the cultural boycott of South Africa because of its policy of apartheid. Following its completion, Simon toured alongside South African musicians, performing their music and songs from Graceland. Graceland became Simon's most successful studio album and his highest-charting album in over a decade; it is estimated to have sold up to 16 million copies worldwide. It was lauded by critics, won the 1987 Grammy for Album of the Year, and is frequently cited as one of the best albums of all time. In 2006, it was added to the United States' National Recording Registry as "culturally, historically, or aesthetically important”. Paul Frederic Simon (born October 13, 1941) is an American musician, singer, songwriter and actor. Simon's musical career has spanned over six decades. He is widely regarded as one of the best songwriters in popular music history. Simon formed the duo Simon & Garfunkel with his schoolfriend Art Garfunkel in 1956. They released five studio albums and became one of the most acclaimed groups of the 1960s. Simon composed nearly all of their songs, including "The Sound of Silence", "Mrs. Robinson", "America", "Bridge over Troubled Water", and "The Boxer". After Simon & Garfunkel split in 1970, Simon recorded three acclaimed albums over the following five years, all of which charted in the top 5 on the Billboard 200. His 1972 self-titled album contained the hit songs "Mother and Child Reunion" and "Me and Julio Down by the Schoolyard". The 1975 album Still Crazy After All These Years, which featured guest vocals from Garfunkel, was his first number-one solo album, and featured the number 1 hit single "50 Ways to Leave Your Lover", among other top-40 songs such as "Still Crazy After All These Years", "Gone at Last", and "My Little Town". Simon reunited with Garfunkel for a performance in New York Central Park in 1981, drawing half a million spectators, followed by a world tour with Garfunkel. After a career slump, Simon released Graceland, an album inspired by South African township music, which sold 14 million copies worldwide and remains his most popular and acclaimed solo work. A number of hit singles were released from the album, including "You Can Call Me Al", "The Boy in the Bubble", and "Diamonds on the Soles of Her Shoes". It won the Grammy Award for Album of the Year in 1987. Simon continued to tour throughout the 1990s, wrote a Broadway musical, The Capeman, and recorded a companion album, Songs from The Capeman which was released in 1997. His 2000 album You're the One was nominated again for Album of the Year honors. He followed that album up with several years of touring, including another reunion tour with Garfunkel, and released Surprise, his last album of the decade, in 2006. In 2016 he released Stranger to Stranger, which debuted at number 3 on the Billboard Album Chart and number 1 the UK Albums Chart, and marked his greatest commercial and critical success in thirty years. His most recent album is 2018's In the Blue Light, which contains re-arrangements of lesser-known songs from his prior albums. Simon has earned sixteen Grammy Awards for his solo and collaborative work, including three for Album of the Year (Bridge Over Troubled Water, Still Crazy After All These Years, and Graceland), and a Lifetime Achievement Award. He is a two-time inductee into the Rock and Roll Hall of Fame: first in 1990 as a member of Simon & Garfunkel and again in 2001 for his solo career. In 2006 he was selected as one of the "100 People Who Shaped the World" by Time. In 2011, Rolling Stone named Simon one of the 100 greatest guitarists, and in 2015 he was ranked eighth in their list of the 100 Greatest Songwriters of All Time. Simon was the first recipient of the Library of Congress's Gershwin Prize for Popular Song in 2007. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:40 W x 40 H x 1.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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