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Iveron (Iberian) Icon of the Mother of God Painting

Aleksey Kudlay

Russia

Painting, Tempera on Wood

Size: 11 W x 14 H x 1 D in

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About The Artwork

Painting: Egg Tempera, Canvas (“Pavoloka”), Gesso (“levkas”) on Wood, Cut-back centre portion, Gilding. Iveron (Iberian) Icon of the Mother of God. The Iveron icon of the Mother of God is one of the most venerated sanctities of the Christian East. The story of the appearance and miracles of the Iveron icon is contained in the Tale of the Iveron Icon. According to the Tale, the ancient wonderworking icon reached the Iveron Monastery on Mount Athos by sea. The icon was cast into the sea in the 9th century by one pious woman who did not want the icon to be seized and destroyed by the iconoclasts. After its reception and installation in the church, the icon repeatedly disappeared and was found above the gate of the monastery. Thus the icon has taken the name of "Portaitissa" (Keeper of the gate). During the siege of the monastery by the Saracenes, a soldier shot an arrow to the icon, and immediately blood began to flow from the gashed cheek of the Theotokos. The icon belongs to the iconographic type known as Hodegetria. The Mother of God is represented waist-length; her head is slightly inclined towards the Child Christ, her right hand is raised in a blessing gesture at the level of her breast. The Child Christ sits high and upright on the Mother of God’s right arm, His head is slightly turned to the Theotokos and slightly thrown back. The right hand of the Child is stretched forward to the Virgin’s hand with a blessing gesture, in his left he holds a scroll vertically resting on his ankle. An important iconographic detail is a depiction of a blood-streaming wound on the Mother of God’s face.

Details & Dimensions

Painting:Tempera on Wood

Original:One-of-a-kind Artwork

Size:11 W x 14 H x 1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in 1951 Moscow, Russia. Alexey haven’t got a formal education in the fine arts but since the early 1970’s he learnt the style of old icon-painter masters. His first icon (wood, canvas, gesso, tempera) was created in 1974. He became a member of the Union of Artists of Russia under the UNESCO International Federation of Artists in 1977 He was honored by being blessed by His Holiness Alexey II the Patriarch of Moscow and all of Russia in January 1995. Since 1996, he was making the icons in a style of late XVIII-XIX century’s masters. But in 1998 he returned to the creation of icons with white background. For this moment he created more than 500 icons, inclusive of over 25 triptych-icons. His icons look old-time and very similar to the original icons of the 16th century. Most works are in private collections in Russia, USA and throughout Europe. His works are placed in Churches, Temples and Monasteries also. The artist-restorer, the member of the Grabar’s Art Conservation Center, Honored Cultured of the Russian Federation, Honored Artist of the Russian Federation, laureate of State prizes, the recognized authotity of the art-restorers world Adolf N. Ovchinnikov says about Alexey's works: “Aleksey Kudlay is the master of popularization of the ancient Russian art who adds his author’s elements there and brings this culture in the everyday life of Russian people.” Another famous restorer, the Chairman of the Collectors’ club of the Russian Cultural Foundation, Honored Cultured of Russia, academician of the Russian Academy of Natural Sciences (RANS), holder of the order of Holy Prince Daniel of Moscow Saveliy V. Yamshikov wrote: “Dear Aleksey, I used to send introductory articles to the previous catalogues of the icons painted by you. I am not in the habit of making a formal reply just for my friends’ pleasure; still then, I could see not only broken concepts in your creative work but sincere effort and purity of spiritual thought in icon painting. I did not accept totally everything that you used to do in your early creative period, but your hankering after the work in this gracious field promised fruitful and mature results.

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