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40 x 40 x 1.5 inches large original oil painting of a white winter woodland landscape with a stag and a doe. This painting is semi abstract in style and was built up with lots of thick layers of paint. The first layer was in autumn colours and the second and third layer were more muted whites and pale pastel colours that give the impression of a winter landscape with snow and frost and ice. Two deer stand to the left looking half formed. Their faces are fairly realistic but their bodies and legs are abstract and and are emerging or melting into the landscape itself. There are trees behind the deer and a cold winter sky behind the treeline. On the branches next to the deer are pastel coloured leaves here and there that mimic the colours of leaves with frost on them or even of early spring cherry tree blossom. I confess this is is a painting I have wrestled with and over-painted parts of it a few times. I am finally very happy with it though because it stands somewhere between abstract winter landscape and a traditional winter landscape as do the deer. Deer are quite mysterious with their ability to appear and disappear at will, especially in forests, and I feel I have captured that transitory thing they do quite well. Sometimes I glance at the painting I and wonder if the deer have moved a little each time I do... Painted on deep edge canvas, white edges, frame not necessary.
40 x 40 x 1.5 inches large original oil painting of a white winter woodland landscape with a stag and a doe. This painting is semi abstract in style and was built up with lots of thick layers of paint. The first layer was in autumn colours and the second and third layer were more muted whites and pale pastel colours that give the impression of a winter landscape with snow and frost and ice. Two deer stand to the left looking half formed. Their faces are fairly realistic but their bodies and legs are abstract and and are emerging or melting into the landscape itself. There are trees behind the deer and a cold winter sky behind the treeline. On the branches next to the deer are pastel coloured leaves here and there that mimic the colours of leaves with frost on them or even of early spring cherry tree blossom. I confess this is is a painting I have wrestled with and over-painted parts of it a few times. I am finally very happy with it though because it stands somewhere between abstract winter landscape and a traditional winter landscape as do the deer. Deer are quite mysterious with their ability to appear and disappear at will, especially in forests, and I feel I have captured that transitory thing they do quite well. Sometimes I glance at the painting I and wonder if the deer have moved a little each time I do... Painted on deep edge canvas, white edges, frame not necessary.
40 x 40 x 1.5 inches large original oil painting of a white winter woodland landscape with a stag and a doe. This painting is semi abstract in style and was built up with lots of thick layers of paint. The first layer was in autumn colours and the second and third layer were more muted whites and pale pastel colours that give the impression of a winter landscape with snow and frost and ice. Two deer stand to the left looking half formed. Their faces are fairly realistic but their bodies and legs are abstract and and are emerging or melting into the landscape itself. There are trees behind the deer and a cold winter sky behind the treeline. On the branches next to the deer are pastel coloured leaves here and there that mimic the colours of leaves with frost on them or even of early spring cherry tree blossom. I confess this is is a painting I have wrestled with and over-painted parts of it a few times. I am finally very happy with it though because it stands somewhere between abstract winter landscape and a traditional winter landscape as do the deer. Deer are quite mysterious with their ability to appear and disappear at will, especially in forests, and I feel I have captured that transitory thing they do quite well. Sometimes I glance at the painting I and wonder if the deer have moved a little each time I do... Painted on deep edge canvas, white edges, frame not necessary.
40 x 40 x 1.5 inches large original oil painting of a white winter woodland landscape with a stag and a doe. This painting is semi abstract in style and was built up with lots of thick layers of paint. The first layer was in autumn colours and the second and third layer were more muted whites and pale pastel colours that give the impression of a winter landscape with snow and frost and ice. Two deer stand to the left looking half formed. Their faces are fairly realistic but their bodies and legs are abstract and and are emerging or melting into the landscape itself. There are trees behind the deer and a cold winter sky behind the treeline. On the branches next to the deer are pastel coloured leaves here and there that mimic the colours of leaves with frost on them or even of early spring cherry tree blossom. I confess this is is a painting I have wrestled with and over-painted parts of it a few times. I am finally very happy with it though because it stands somewhere between abstract winter landscape and a traditional winter landscape as do the deer. Deer are quite mysterious with their ability to appear and disappear at will, especially in forests, and I feel I have captured that transitory thing they do quite well. Sometimes I glance at the painting I and wonder if the deer have moved a little each time I do... Painted on deep edge canvas, white edges, frame not necessary.
40 x 40 x 1.5 inches large original oil painting of a white winter woodland landscape with a stag and a doe. This painting is semi abstract in style and was built up with lots of thick layers of paint. The first layer was in autumn colours and the second and third layer were more muted whites and pale pastel colours that give the impression of a winter landscape with snow and frost and ice. Two deer stand to the left looking half formed. Their faces are fairly realistic but their bodies and legs are abstract and and are emerging or melting into the landscape itself. There are trees behind the deer and a cold winter sky behind the treeline. On the branches next to the deer are pastel coloured leaves here and there that mimic the colours of leaves with frost on them or even of early spring cherry tree blossom. I confess this is is a painting I have wrestled with and over-painted parts of it a few times. I am finally very happy with it though because it stands somewhere between abstract winter landscape and a traditional winter landscape as do the deer. Deer are quite mysterious with their ability to appear and disappear at will, especially in forests, and I feel I have captured that transitory thing they do quite well. Sometimes I glance at the painting I and wonder if the deer have moved a little each time I do... Painted on deep edge canvas, white edges, frame not necessary.
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LARGE ORIGINAL Oil Painting - Woodland Born - winter abstract with deer Painting

Gill Bustamante

United Kingdom

Painting, Oil on Canvas

Size: 40 W x 40 H x 1.4 D in

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About The Artwork

40 x 40 x 1.5 inches large original oil painting of a white winter woodland landscape with a stag and a doe. This painting is semi abstract in style and was built up with lots of thick layers of paint. The first layer was in autumn colours and the second and third layer were more muted whites and pale pastel colours that give the impression of a winter landscape with snow and frost and ice. Two deer stand to the left looking half formed. Their faces are fairly realistic but their bodies and legs are abstract and and are emerging or melting into the landscape itself. There are trees behind the deer and a cold winter sky behind the treeline. On the branches next to the deer are pastel coloured leaves here and there that mimic the colours of leaves with frost on them or even of early spring cherry tree blossom. I confess this is is a painting I have wrestled with and over-painted parts of it a few times. I am finally very happy with it though because it stands somewhere between abstract winter landscape and a traditional winter landscape as do the deer. Deer are quite mysterious with their ability to appear and disappear at will, especially in forests, and I feel I have captured that transitory thing they do quite well. Sometimes I glance at the painting I and wonder if the deer have moved a little each time I do... Painted on deep edge canvas, white edges, frame not necessary.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:40 W x 40 H x 1.4 D in

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Gill Bustamante is a professional artist based in East Sussex who creates large semi-abstract landscape, seascape and wildlife paintings in oil on canvas. Her painting style is very distinct and often fuses art-nouveau, impressionist and semi-abstract techniques with traditional portraiture that reflect her love of nature, animals, birds and the flora and fauna of the landscapes around her. She loves the ancient landscapes of England and her paintings often reflect the magical elements that such landscapes have. Gill’s main working method has been the development of a painting style she terms ‘memory impressionism’. This method involves going walking somewhere, looking at and absorbing the things she sees and experiences, and then returning home to her studio to try and capture an echo or essence of the place from memory - including any wildlife she may have seen. By this method, she captures precise moments in times at different seasons and the feeling she has about them. Gill completed a fine art degree in Brighton in 1983 and has painted since she was three. In her own words: “Painting always makes me happy along with cake, bunnies, driving erratically, BBC 6 music and totally irreverent comedy”. Website: www.gillbustamante.com Instagram: www.instagram.com/gill.bustamante.artist/ Facebook: www.facebook.com/GillBustamanteArtist/ Pinterest: www.pinterest.co.uk/gillbustamante You-Tube: www.youtube.com/c/GillBustamante ETSY-Store: www.etsy.com/uk/shop/SussexPaintings

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